The young singer had the entire B'wood music clan singing for him
The young singer had the entire B'wood music clan singing for him at his birthday bash at Enigma, JW Marriott, Mumbai on Wednesday night. Check out the party.
PICS: Aditya's rocking birthday bash!
adityabirthday.flv
8-8-2008 09:49:53
About Me
- Scorpio Queen
- Mumbai, Maharashtra, India
- Journalist. Writer-editor. Film critic. Photographer. And an intense Scorpio - that's me!
August 11, 2010
Jiah Khan poses for PeTA
The actress is fighting for birds that get hurt during kite-flying
9-8-2008 11:00:00
Jiah Khan is fighting for the cause of birds getting hurt during kite-flying for PeTa (People for the Ethical Treatment of Animals). Check her out as PeTA's bird.
PICS: Jiah Khan's a PeTA bird
9-8-2008 11:00:00
Jiah Khan is fighting for the cause of birds getting hurt during kite-flying for PeTa (People for the Ethical Treatment of Animals). Check her out as PeTA's bird.
PICS: Jiah Khan's a PeTA bird
TOP 15: Bollywood's favourite musicals
A look at the best music-based films
After the release of several romantic comedies and before the new action films hit the theatres, it's time for a musical. And Farhan Akhtar's acting debut Rock On is just that. We take a cue from that and look at some of the musicals, or music-based films we've come to love over the years. Read on and share your list with us
Taal (1999)
Hot Performers: Aishwarya Rai Bachchan, Anil Kapoor, Akshaye Khanna, Amrish Puri, Alok Nath
Director: Subhash Ghai
Music Director: AR Rahman
Aishwarya Rai (Mansi), Anil Kapoor (Vikrant Kapoor) and Akshaye Khanna (Manav Mehta) form the triangle of the dance-music love story, Taal. Maestro AR Rahman showed his magic again and this time not for a dubbed but a pure Hindi film, with chartbusting songs like peppy Ishq Bina, Taal Se Taal Mila and Ramta Jogi, the soulful Nahin Saamne and Asha Bhosle's Kahin Aag Lage. NRI Manav chances upon Mansi, the daughter of folk singer Tara Babu (Alok Nath) on one of his trips to India. Despite the stark difference in their social status, both fall in love. But when Mansi and her father land up in Mumbai to meet Manav's family, they're insulted. There's a clash between Mansi and Manav, and she decides to leave him. Dejected, Tara Babu and Mansi bump into music company hotshot Vikrant Kapoor, who's remixing Tara's original tunes and minting money. Mansi sees a prosperous career through Vikrant's eyes and starts working for him with detachment. But predictably, the dynamic Vikrant ends up in love with his protégé, and is about to get married to her, when Manav returns and reignites Manasi's passion.
All the Aishwarya news on Buzz18
Next Page: Tanuja Chandra's Sur: The Melody of Life__PAGEBREAK__Sur: The Melody of Life (2002)
Hot Performers: Lucky Ali, Gauri Karnik, Simone Singh
Director: Tanuja Chandra
Music Director: MM Kreem
Tanuja Chandra's Sur was a revelation – that the director of films like Dushman and Sangharsh could create such a poignant tale of music and the world around it. Another revelation was that singer-musician Lucky Ali could be such a brilliant actor. He plays Vikram, a music teacher, with such ease that it seems he's living his real life in it. Vikram's passion for his art, his teachings and expectations from his best student Tina, (played excellently by Gauri Karnik) as also his insecurities, has been portrayed flawlessly by Ali. Vikram's ego is hurt when Tina does better than him and he happens to steal her tunes. Shattered with the emotional conflict, Tina is on her way to becoming a nun, when Vikram realises his folly and gets her back. But a film like this would have been so incomplete without the music. And surely, you can't help but hum MM Kreem's mellifluous Aa Bhi Jaa, Dil Mein Jaagi Dhadkan Aise and Jaane Kya Dhoondhta Hai among others.
REVIEW: Tanuja's Hope and a Little Sugar
Next Page: Sanjay Bhansali's Khamoshi – The Musical
__PAGEBREAK__Khamoshi – The Musical (1996)
Hot Performers: Manisha Koirala, Salman Khan, Nana Patekar, Seema Biswas
Director: Sanjay Leela Bhansali
Music Directors: Jatin-Lalit, Babloo Chakravorty
Sanjay Leela Bhansali's musical directorial debut, the ironically titled Khamoshi was a much-awaited film for many reasons – popular lead actors in Salman Khan and Manisha Koirala, and also Nana Patekar and Seema Biswas' deaf-and-mute performance. Based in Goa, the film tells the story of a deaf-and-mute couple Joseph Braganza (Nana Patekar) and Flavy (Seema Biswas) whose children Annie (Manisha Koirala) and Sam can hear and speak. Sam dies as a child, but Annie grows up into a beautiful girl who's big time into singing. Annie falls in love with a dude Raj (Salman Khan, who else to play a dude?). Then there's the cliché of disapproving Catholic parents (and also because she's their mode of communication) and their shock at their daughter's pregnancy. Well, the histrionics did win accolades although the film was not a big hit in theatres. But people still remember this Khamoshi for its wonderful numbers like Aaj Mein Upar, Bahon Ke Darmiyan, Aankhon Mein Kya and Yeh Dil Sun Rahaa Hai among others, apart from the hatke storyline. Plus, this film certainly boosted Jatin-Lalit's market value.
I want to work with Big B: Salman
Next Page: Sanjay Bhansali's Hum Dil De Chuke Sanam__PAGEBREAK__Hum Dil De Chuke Sanam (1999)
Hot Performers: Aishwarya Rai Bachchan, Salman Khan, Ajay Devgan
Director: Sanjay Leela Bhansali
Music Director: Ismail Darbar
Director Sanjay L Bhansali again, with a film that had an undercurrent of music to its tragic love tale. And it's the music which helped Bhansali to win half the battle at the box-office. Based on a true story, Hum Dil De Chuke Sanam effectively told the story which many in the masses could relate to – a young Indo-Italian singer, Sameer Rafilini (Salman Khan) who makes his place in a highly traditional and conservative Gujarati household, earning the respect of the patriarch Pundit Darbar (Vikram Gokhale), who is also Sameer's tutor. But when the same Sameer falls in love with a young girl Nandini ( Aishwarya Rai ) from that very family, the whole world comes down. Sameer returns to Italy and Nandini is married off to Vanraj (Ajay Devgan). When Vanraj finds out about Nandini's obsession with Sameer, he takes her to Italy to find the love of her life. But the story ends with Nandini going back to Vanraj even as Sameer is waiting with open arms – an end which is highly debated even today. And the hit songs – Chand Chupa, Nimbooda, Hum Dil De Chuke Sanam and especially KK's Tadap Tadap Ke – only keep reminding us of that end!
Finally, Bhansali speaks out!
Next Page: Mansoor Khan's Akele Hum Akele Tum__PAGEBREAK__Akele Hum Akele Tum (1995)
Hot Performers: Aamir Khan, Manisha Koirala
Director: Mansoor Khan
Music Director: Anu Malik
Mansoor Khan's AHAT was a scene-by-scene copy of the 1979 Hollywood flick Kramer vs. Kramer. Not only was the film a copy, but also many of the music tracks – like Dil Mera Churaya Kyun from George Michael's Last Christmas, Aisa Zakhm from various artists, Raja Ko Rani Se partly from The Godfather love theme, all thanks to Anu Malik. But these songs were hits (obviously), so were Dil Kehta Hai and the title song. The story went thus: Aamir Khan is Rohit Kumar, a playback singer with dreams in his eyes. Meeting someone who shares his aspirations in Kiran (Manisha Koirala) who's training to be a classical singer, Rohit falls in love. Kiran reciprocates and the two get married against her rich parents' wishes. But Kiran's dreams of a career in music fall flat, as she ends up being nothing but a housewife and mother. The male chauvinist in Rohit makes him ignore her ambition. Frustrated, Kiran takes the bold step of leaving him and her little son for a future in singing, which also leads her to acting. Rohit comes into his own after this setback. Kiran, the superstar actress now wants to be with her husband and son. But seeing that Rohit is not game, she files for divorce and the child's custody. The Kramer vs. Kramer-like court case gives a verdict in Kiran's favour, but she's already changed her mind. Rohit and Kiran get back together.
Aamir's 'other' look in Ghajini | Aamir: I lured Mansoor out of hiding
Next Page: Anant Mahadevan's Dil Vil Pyar Vyar__PAGEBREAK__Dil Vil Pyar Vyar (2002)
Hot Performers: R Madhavan, Jimmy Shergill, Sanjay Suri, Namrata Shirodkar, Sonali Kulkarni, Hrishitaa Bhatt
Director: Anant Mahadevan
Music Directors: RD Burman, Babloo Chakravorty
Anant Mahadevan's film was a tribute to RD Burman and borrowed the music director's songs, which pulled at least a few people to the theatres. The film is about three friends who are die-hard RDB fans and decide to participate in a music competition. The film traces their struggle, and of course, their romances. Though not a film for the theatres, it's not a bad watch on a lazy day if you're an RD Burman fan, as every five minutes one of his many popular numbers hit your eardrums pleasantly. The RDB songs borrowed by the film were: O Haseena Zulfowali, Ye Jo Mohabbat Hai, Yaadon Ki Baraat, Kehna Hai (Duet and Male), Tum Bin Jaon Kahan, Mere Samnewali Khidki Mein, Ab Ke Sawan Mein, O Hansini, Gum Hai Kisi Ke Pyar Mein, Raat Kali, Kya Janoo Sajan, Barsaat Bhi Aakar and Tere Bina Zindagi Se. Woah!
Sonali poses semi-nude | Vidya and Maddy together again?
Next Page: Sujoy Ghosh's Jhankaar Beats__PAGEBREAK__Jhankaar Beats (2003)
Hot Performers: Rahul Bose, Sanjay Suri, Rinke Khanna, Riya Sen, Juhi Chawla, Shayan Munshi
Director: Sujoy Ghosh
Music Directors: Vishal-Shekhar
Another RD Burman-inspired film and made around the same time as Dil Vil.... Rishi (Rahul Bose) and Deep (Sanjay Suri) are typical ad professionals, they love Sholay, and RD Burman. But their copywriting career is on an edge, and they seem more inclined to win the music competition Jhankaar Beats, which they have lost for two consecutive years. Juhi Chawla plays Shanti, Deep's pregnant wife, while Rinke Khanna plays Rishi's separated wife, Nicki. Rishi gets an offer to work in the US, so the band gets a new guitarist, Neel (Shayan Munshi) who is the boss' son. The deal is that Neel plays for Deep and Rishi in the competition, and they help him get his girl in turn. The film revolves around relationships and music, with some truly funny moments thrown in. Jhankaar Beats not only had RDB songs like Roop Tera Mastana and Hume Tumse Pyar Kitna, but also some original numbers like Vishal-Shekhar's Tu Aashique Hai, Suno Na and Boss Kaun Hai (a tribute to Burman). But the music director duo is good at remixes, as proved again with Bachna Ae Haseeno.
LOOK: Rahul does a Rajini!
Next Page: Amitabh-Jaya's Abhimaan__PAGEBREAK__Abhimaan (1973)
Hot Performers: Amitabh Bachchan, Jaya Bachchan
Director: Hrishikesh Mukherjee
Music Director: SD Burman
Ah! SD Burman's supremely melodious music and Amitabh-Jaya's brilliant act. Hrishikesh Mukherjee's Abhimaan is a classic tale of ego clashes between a couple, where the wife is doing better than a husband, and especially where both are pursuing identical careers. Subeer Kumar (Amitabh Bachchan) is a rock star of a singer, with a big female fan following ready to get hitched. But the handsome Subeer falls in love with a simple village girl, Uma, whose voice and beauty both attract him. He marries her and once back in Bombay, encourages Uma to take up singing as a profession individually. However, this love marriage is on the rocks when Uma's popularity reaches heights greater than Subeer's, hurting his male ego and making him highly envious. In true Hrishida style, a realistic portrayal of an issue which is as current as ever. And the bonus was that each composition of SDB – Meet Na Mila Re Man Ka, Ab To Hai Tumse, Loote Koi Man Ka Nagar, Nadiya Kinare, Piya Bina, Tere Mere Milan Ki, Teri Bindiya Re – was and is a masterpiece in itself. And that's why he's the baap of RDB, literally!
JANTA REACTIONS: Sarkar Raj | Bachchans, Shriya at Sarkar Raj red carpet
Next Page: Lata-Asha's story: Saaz__PAGEBREAK__Saaz (1997)
Hot Performers: Shabana Azmi, Aruna Irani, Ustad Zakir Hussain
Director: Sai Paranjape
Music Directors: Yashwant Deo, Bhupen Hazarika, Zakir Hussain, Raj Kamal
Another film tracing the insecurities in the music industry. Chashm-E-Baddoor director Sai Paranjape's Saaz was based on the relationship between sisters Lata Mangeshkar and Asha Bhosle, legendary playback singers of India. The main characters and certain instances are a direct lift from their life. Aroona Irani plays Mansi (Lata's role), the elder sister while Shabana Azmi plays Bansi (Asha's role) the younger one. Mansi enters professional playback singing after her father (played by Raghuvir Yadav) expires. Having created a name for herself in the industry, she marries off Bansi. But the hardships in Bansi's life have just begun, as her husband turns out to be a wife-beater. She divorces him and comes back to Mansi with her daughter, starting her own career. But Mansi stops her from getting a foothold in the industry, leading to bitterness. Although the film and its music were not commercial hits since it had a TV release, the music was termed as excellent, whether it was Aaj Hum Roshan Karenge, Raat Dhalne Lagi or Sunne Wale Sun to name a few songs.
REVEALED: Untold facts about Lata | Asha: Pure and unadulterated
Next Page: Anil Kapoor's Woh 7 Din__PAGEBREAK__Woh 7 Din (1983)
Hot Performers: Anil Kapoor, Padmini Kolhapure, Naseeruddin Shah
Director: Bapu
Music Directors: Laxmikant-Pyarelal
Like Hum Dil De Chuke Sanam, this jolly musical's end, or rather the beginning (as the story is in flashback), must have also been debated a lot. No wonder then, the film was a hit, marking the successful debut of one of Bollywood's best actors, Anil Kapoor. Poor girl Maya (Padmini Kolhapure) refuses to accept her marriage to a much older but wealthy Dr Anand (Naseeruddin Shah). She tries to commit suicide on the wedding night, but in vain. Then begins her narration of the love story between Prem and her (Anil Kapoor), a jovial street singer and aspiring music director. This part of the film is very entertaining. In the end, Anand in turn wants to unite the two lovers, saying he's married Maya only because his mother was on the deathbed. But the question of Indian 'culture' pops up in Prem's mind, and he goes away without Maya. Such twists in the tale sure maketh a hit! But not without the superb music, which helped Anil Kapoor charm his newfound audience, with chartbusters like Pyar Kiya Nahin Jata.
Big B and Anil to act together?
Next Page: Girish Karnad and Jayaprada's Sur Sangam__PAGEBREAK__Sur Sangam (1985)
Hot Performers: Girish Karnad, Jayaprada
Director: K Vishwanath
Music Directors: Laxmikant-Pyarelal, Appu
Girish Karnad essays Pt Shivshankar Shastri in this classic by K Vishwanath. Many great musicians and singers will be able to identify with this film at a deeper level, which also merged social issues with the basic theme of music. Sur Sangam's music can truly be described as a treat for classical buffs – the numbers being Aaye Sur Ke, Hey Shivshankar, Dhanyabhag Sevaka, Maazi Re, Mai Ka Bhulave, Parbhu More Avgoon, Saadh Re Mann, Saadha Aisa Hi Sur and Tore Charan Kamal. Shastri is a maestro who's been a royal court musician but is now down and out and staying in a hamlet with his daughter Sharda (Sadhana Singh). But he has not lost hope and is looking out for an heir to hand down his great musical wisdom to. Finally, he finds 'a suitable boy' in Tulsi's (Jayaprada) illegitimate son, also falling in love with the mother in the process. Due to this and his stubborn attitude, Shastri even refuses Kanneshwar's (Sachin) proposal for Sharda. Soon, he's rebuked by all and becomes a recluse in spite of his genius.
Jayaprada in AK97?
Next Page: Madhuri-Jackie's Sangeet __PAGEBREAK__Sangeet (1992)
Hot Performers: Madhuri Dixit, Jackie Shroff
Director: K Vishwanath
Music Directors: Anand-Milind
Another K Vishwanath hit musical. And a surprise from music directors Anand-Milind, who don't have many hits to their credit apart from Qayamat Se Qayamat Tak and a few others. From Sangeet, O Rabba Koi To Bataye still resonates, so does Saat Suron Ke, Main Awara Ek Banjara, Chali Aiyo Radhe Rani, Sangeet Jahaan Hai Geet Wahaan and Jo Geet Nahin. Madhuri Dixit has a double role in it. The older one is Nirmala, a music-loving wife of a businessman, who folk singer Sethuram (Jackie Shroff) meets when he comes to Bombay to pursue his dreams. Sethu also bumps into a blind singer-dancer Sangeeta (the younger Madhuri) who he introduces to Nirmala for tutoring. Predictably, Sangeeta turns out to be Nirmala's daughter. The music cassettes of this film (no CDs then) had sold like hot cakes then.
MUST SEE: Ash-Madhuri's backstage vibes
Next Page: Dino-Rinke in Pyaar Mein Kabhi Kabhi __PAGEBREAK__Pyaar Mein Kabhi Kabhi (1999)
Hot Performers: Dino Morea, Rinke Khanna, Sanjay Suri, Akashdeep Sehgal
Director: Raj Kaushal
Music Directors: Vishal-Shekhar and Salim-Suleiman
The Nepali number Musu Musu Hasi was enough to arouse interest PMKK, along with new faces Dino Morea (Sid), Rinke Khanna (Khushi), Sanjay Suri (Bugs) and the now famous Akashdeep Sehgal (Ronnie) among others. The film, shot in Fergusson College, Pune, revolves around these students who have musical aspirations and finally succeed in getting what they want. The main love story is between Sid and Khushi, and there're youth issues thrown in like college life and AIDS. But what's enviable is, together, the cast got to belt out hit numbers like Pyaar Mein Kabhi Kabhi, Woh Pehli Baar, Dil Se Mere and Lakho Deewane (as actors). This film was liked by college-goers and also did good for its music directors and singers Shaan and Mahalaxmi.
MUSIC REVIEW: Vishal-Shekhar's Bachna Ae Haseeno
Next Page: Rishi Kapoor's Hum Kisise Kum Naheen__PAGEBREAK__Hum Kisise Kum Naheen (1977)
Hot Performers: Rishi Kapoor, Tariq, Kaajal Kiran, Amjad Khan
Director: Nasir Hussain
Music Directors: RD Burman
Well, quite simply, this is the film Ranbir Kapoor's Bachna Ae Haseeno borrows its title and track from. No harm in borrowing from dad's film, right Ranbir? In the film, Rishi Kapoor is Rajesh, a young man in search of his dead father's diamonds, when he bumps into Kaajal (Kaajal Kiran). The third element in the love triangle is Sanjay (Tariq), Kaajal's childhood sweetheart. But there's more to the game than meets in the eye, as Saudagar Singh (Amjad Khan) is also in a quest for those diamonds and creates trouble in the lives of the three protagonists. Hum Kisise… was a hit, again due to a major contribution by RD Burman's oh-so-hummable score, apart from Nasir Hussain's cool direction. Kishore Kumar's song Bachna Ae Haseeno is just the tip of the iceberg. Think of Kya Hua Tera Wada, Yeh Ladka Hai Allah, Humko To Yaara Teri Yaari, Hai Agar Dushman, and the competition numbers Chand Mera Dil, Ah Dil Kya, Oh Tum Kya Jaano, Mil Gaya Humko Saathi – and it's a bet you'll start swaying in your seat!
All about Ranbir on Buzz18
Next Page: Farhan's Rock On__PAGEBREAK__Rock On (2008)
Starring hotshot director Farhan Akhtar in the main lead opposite debutante Prachi Desai, the story is about a rock band called Magik. The other band members are played by cool dudes Arjun Rampal, Luke Kenny and Purab Kohli. Let's hope this film whets the appetite of rock buffs in India!
1st LOOK: Farhan-Prachi's Rock On
Music review: Rock On, Shankar-Ehsaan-Loy!
Team Rock On jams it up.
18-8-2008 21:22:26
After the release of several romantic comedies and before the new action films hit the theatres, it's time for a musical. And Farhan Akhtar's acting debut Rock On is just that. We take a cue from that and look at some of the musicals, or music-based films we've come to love over the years. Read on and share your list with us
Taal (1999)
Hot Performers: Aishwarya Rai Bachchan, Anil Kapoor, Akshaye Khanna, Amrish Puri, Alok Nath
Director: Subhash Ghai
Music Director: AR Rahman
Aishwarya Rai (Mansi), Anil Kapoor (Vikrant Kapoor) and Akshaye Khanna (Manav Mehta) form the triangle of the dance-music love story, Taal. Maestro AR Rahman showed his magic again and this time not for a dubbed but a pure Hindi film, with chartbusting songs like peppy Ishq Bina, Taal Se Taal Mila and Ramta Jogi, the soulful Nahin Saamne and Asha Bhosle's Kahin Aag Lage. NRI Manav chances upon Mansi, the daughter of folk singer Tara Babu (Alok Nath) on one of his trips to India. Despite the stark difference in their social status, both fall in love. But when Mansi and her father land up in Mumbai to meet Manav's family, they're insulted. There's a clash between Mansi and Manav, and she decides to leave him. Dejected, Tara Babu and Mansi bump into music company hotshot Vikrant Kapoor, who's remixing Tara's original tunes and minting money. Mansi sees a prosperous career through Vikrant's eyes and starts working for him with detachment. But predictably, the dynamic Vikrant ends up in love with his protégé, and is about to get married to her, when Manav returns and reignites Manasi's passion.
All the Aishwarya news on Buzz18
Next Page: Tanuja Chandra's Sur: The Melody of Life__PAGEBREAK__Sur: The Melody of Life (2002)
Hot Performers: Lucky Ali, Gauri Karnik, Simone Singh
Director: Tanuja Chandra
Music Director: MM Kreem
Tanuja Chandra's Sur was a revelation – that the director of films like Dushman and Sangharsh could create such a poignant tale of music and the world around it. Another revelation was that singer-musician Lucky Ali could be such a brilliant actor. He plays Vikram, a music teacher, with such ease that it seems he's living his real life in it. Vikram's passion for his art, his teachings and expectations from his best student Tina, (played excellently by Gauri Karnik) as also his insecurities, has been portrayed flawlessly by Ali. Vikram's ego is hurt when Tina does better than him and he happens to steal her tunes. Shattered with the emotional conflict, Tina is on her way to becoming a nun, when Vikram realises his folly and gets her back. But a film like this would have been so incomplete without the music. And surely, you can't help but hum MM Kreem's mellifluous Aa Bhi Jaa, Dil Mein Jaagi Dhadkan Aise and Jaane Kya Dhoondhta Hai among others.
REVIEW: Tanuja's Hope and a Little Sugar
Next Page: Sanjay Bhansali's Khamoshi – The Musical
__PAGEBREAK__Khamoshi – The Musical (1996)
Hot Performers: Manisha Koirala, Salman Khan, Nana Patekar, Seema Biswas
Director: Sanjay Leela Bhansali
Music Directors: Jatin-Lalit, Babloo Chakravorty
Sanjay Leela Bhansali's musical directorial debut, the ironically titled Khamoshi was a much-awaited film for many reasons – popular lead actors in Salman Khan and Manisha Koirala, and also Nana Patekar and Seema Biswas' deaf-and-mute performance. Based in Goa, the film tells the story of a deaf-and-mute couple Joseph Braganza (Nana Patekar) and Flavy (Seema Biswas) whose children Annie (Manisha Koirala) and Sam can hear and speak. Sam dies as a child, but Annie grows up into a beautiful girl who's big time into singing. Annie falls in love with a dude Raj (Salman Khan, who else to play a dude?). Then there's the cliché of disapproving Catholic parents (and also because she's their mode of communication) and their shock at their daughter's pregnancy. Well, the histrionics did win accolades although the film was not a big hit in theatres. But people still remember this Khamoshi for its wonderful numbers like Aaj Mein Upar, Bahon Ke Darmiyan, Aankhon Mein Kya and Yeh Dil Sun Rahaa Hai among others, apart from the hatke storyline. Plus, this film certainly boosted Jatin-Lalit's market value.
I want to work with Big B: Salman
Next Page: Sanjay Bhansali's Hum Dil De Chuke Sanam__PAGEBREAK__Hum Dil De Chuke Sanam (1999)
Hot Performers: Aishwarya Rai Bachchan, Salman Khan, Ajay Devgan
Director: Sanjay Leela Bhansali
Music Director: Ismail Darbar
Director Sanjay L Bhansali again, with a film that had an undercurrent of music to its tragic love tale. And it's the music which helped Bhansali to win half the battle at the box-office. Based on a true story, Hum Dil De Chuke Sanam effectively told the story which many in the masses could relate to – a young Indo-Italian singer, Sameer Rafilini (Salman Khan) who makes his place in a highly traditional and conservative Gujarati household, earning the respect of the patriarch Pundit Darbar (Vikram Gokhale), who is also Sameer's tutor. But when the same Sameer falls in love with a young girl Nandini ( Aishwarya Rai ) from that very family, the whole world comes down. Sameer returns to Italy and Nandini is married off to Vanraj (Ajay Devgan). When Vanraj finds out about Nandini's obsession with Sameer, he takes her to Italy to find the love of her life. But the story ends with Nandini going back to Vanraj even as Sameer is waiting with open arms – an end which is highly debated even today. And the hit songs – Chand Chupa, Nimbooda, Hum Dil De Chuke Sanam and especially KK's Tadap Tadap Ke – only keep reminding us of that end!
Finally, Bhansali speaks out!
Next Page: Mansoor Khan's Akele Hum Akele Tum__PAGEBREAK__Akele Hum Akele Tum (1995)
Hot Performers: Aamir Khan, Manisha Koirala
Director: Mansoor Khan
Music Director: Anu Malik
Mansoor Khan's AHAT was a scene-by-scene copy of the 1979 Hollywood flick Kramer vs. Kramer. Not only was the film a copy, but also many of the music tracks – like Dil Mera Churaya Kyun from George Michael's Last Christmas, Aisa Zakhm from various artists, Raja Ko Rani Se partly from The Godfather love theme, all thanks to Anu Malik. But these songs were hits (obviously), so were Dil Kehta Hai and the title song. The story went thus: Aamir Khan is Rohit Kumar, a playback singer with dreams in his eyes. Meeting someone who shares his aspirations in Kiran (Manisha Koirala) who's training to be a classical singer, Rohit falls in love. Kiran reciprocates and the two get married against her rich parents' wishes. But Kiran's dreams of a career in music fall flat, as she ends up being nothing but a housewife and mother. The male chauvinist in Rohit makes him ignore her ambition. Frustrated, Kiran takes the bold step of leaving him and her little son for a future in singing, which also leads her to acting. Rohit comes into his own after this setback. Kiran, the superstar actress now wants to be with her husband and son. But seeing that Rohit is not game, she files for divorce and the child's custody. The Kramer vs. Kramer-like court case gives a verdict in Kiran's favour, but she's already changed her mind. Rohit and Kiran get back together.
Aamir's 'other' look in Ghajini | Aamir: I lured Mansoor out of hiding
Next Page: Anant Mahadevan's Dil Vil Pyar Vyar__PAGEBREAK__Dil Vil Pyar Vyar (2002)
Hot Performers: R Madhavan, Jimmy Shergill, Sanjay Suri, Namrata Shirodkar, Sonali Kulkarni, Hrishitaa Bhatt
Director: Anant Mahadevan
Music Directors: RD Burman, Babloo Chakravorty
Anant Mahadevan's film was a tribute to RD Burman and borrowed the music director's songs, which pulled at least a few people to the theatres. The film is about three friends who are die-hard RDB fans and decide to participate in a music competition. The film traces their struggle, and of course, their romances. Though not a film for the theatres, it's not a bad watch on a lazy day if you're an RD Burman fan, as every five minutes one of his many popular numbers hit your eardrums pleasantly. The RDB songs borrowed by the film were: O Haseena Zulfowali, Ye Jo Mohabbat Hai, Yaadon Ki Baraat, Kehna Hai (Duet and Male), Tum Bin Jaon Kahan, Mere Samnewali Khidki Mein, Ab Ke Sawan Mein, O Hansini, Gum Hai Kisi Ke Pyar Mein, Raat Kali, Kya Janoo Sajan, Barsaat Bhi Aakar and Tere Bina Zindagi Se. Woah!
Sonali poses semi-nude | Vidya and Maddy together again?
Next Page: Sujoy Ghosh's Jhankaar Beats__PAGEBREAK__Jhankaar Beats (2003)
Hot Performers: Rahul Bose, Sanjay Suri, Rinke Khanna, Riya Sen, Juhi Chawla, Shayan Munshi
Director: Sujoy Ghosh
Music Directors: Vishal-Shekhar
Another RD Burman-inspired film and made around the same time as Dil Vil.... Rishi (Rahul Bose) and Deep (Sanjay Suri) are typical ad professionals, they love Sholay, and RD Burman. But their copywriting career is on an edge, and they seem more inclined to win the music competition Jhankaar Beats, which they have lost for two consecutive years. Juhi Chawla plays Shanti, Deep's pregnant wife, while Rinke Khanna plays Rishi's separated wife, Nicki. Rishi gets an offer to work in the US, so the band gets a new guitarist, Neel (Shayan Munshi) who is the boss' son. The deal is that Neel plays for Deep and Rishi in the competition, and they help him get his girl in turn. The film revolves around relationships and music, with some truly funny moments thrown in. Jhankaar Beats not only had RDB songs like Roop Tera Mastana and Hume Tumse Pyar Kitna, but also some original numbers like Vishal-Shekhar's Tu Aashique Hai, Suno Na and Boss Kaun Hai (a tribute to Burman). But the music director duo is good at remixes, as proved again with Bachna Ae Haseeno.
LOOK: Rahul does a Rajini!
Next Page: Amitabh-Jaya's Abhimaan__PAGEBREAK__Abhimaan (1973)
Hot Performers: Amitabh Bachchan, Jaya Bachchan
Director: Hrishikesh Mukherjee
Music Director: SD Burman
Ah! SD Burman's supremely melodious music and Amitabh-Jaya's brilliant act. Hrishikesh Mukherjee's Abhimaan is a classic tale of ego clashes between a couple, where the wife is doing better than a husband, and especially where both are pursuing identical careers. Subeer Kumar (Amitabh Bachchan) is a rock star of a singer, with a big female fan following ready to get hitched. But the handsome Subeer falls in love with a simple village girl, Uma, whose voice and beauty both attract him. He marries her and once back in Bombay, encourages Uma to take up singing as a profession individually. However, this love marriage is on the rocks when Uma's popularity reaches heights greater than Subeer's, hurting his male ego and making him highly envious. In true Hrishida style, a realistic portrayal of an issue which is as current as ever. And the bonus was that each composition of SDB – Meet Na Mila Re Man Ka, Ab To Hai Tumse, Loote Koi Man Ka Nagar, Nadiya Kinare, Piya Bina, Tere Mere Milan Ki, Teri Bindiya Re – was and is a masterpiece in itself. And that's why he's the baap of RDB, literally!
JANTA REACTIONS: Sarkar Raj | Bachchans, Shriya at Sarkar Raj red carpet
Next Page: Lata-Asha's story: Saaz__PAGEBREAK__Saaz (1997)
Hot Performers: Shabana Azmi, Aruna Irani, Ustad Zakir Hussain
Director: Sai Paranjape
Music Directors: Yashwant Deo, Bhupen Hazarika, Zakir Hussain, Raj Kamal
Another film tracing the insecurities in the music industry. Chashm-E-Baddoor director Sai Paranjape's Saaz was based on the relationship between sisters Lata Mangeshkar and Asha Bhosle, legendary playback singers of India. The main characters and certain instances are a direct lift from their life. Aroona Irani plays Mansi (Lata's role), the elder sister while Shabana Azmi plays Bansi (Asha's role) the younger one. Mansi enters professional playback singing after her father (played by Raghuvir Yadav) expires. Having created a name for herself in the industry, she marries off Bansi. But the hardships in Bansi's life have just begun, as her husband turns out to be a wife-beater. She divorces him and comes back to Mansi with her daughter, starting her own career. But Mansi stops her from getting a foothold in the industry, leading to bitterness. Although the film and its music were not commercial hits since it had a TV release, the music was termed as excellent, whether it was Aaj Hum Roshan Karenge, Raat Dhalne Lagi or Sunne Wale Sun to name a few songs.
REVEALED: Untold facts about Lata | Asha: Pure and unadulterated
Next Page: Anil Kapoor's Woh 7 Din__PAGEBREAK__Woh 7 Din (1983)
Hot Performers: Anil Kapoor, Padmini Kolhapure, Naseeruddin Shah
Director: Bapu
Music Directors: Laxmikant-Pyarelal
Like Hum Dil De Chuke Sanam, this jolly musical's end, or rather the beginning (as the story is in flashback), must have also been debated a lot. No wonder then, the film was a hit, marking the successful debut of one of Bollywood's best actors, Anil Kapoor. Poor girl Maya (Padmini Kolhapure) refuses to accept her marriage to a much older but wealthy Dr Anand (Naseeruddin Shah). She tries to commit suicide on the wedding night, but in vain. Then begins her narration of the love story between Prem and her (Anil Kapoor), a jovial street singer and aspiring music director. This part of the film is very entertaining. In the end, Anand in turn wants to unite the two lovers, saying he's married Maya only because his mother was on the deathbed. But the question of Indian 'culture' pops up in Prem's mind, and he goes away without Maya. Such twists in the tale sure maketh a hit! But not without the superb music, which helped Anil Kapoor charm his newfound audience, with chartbusters like Pyar Kiya Nahin Jata.
Big B and Anil to act together?
Next Page: Girish Karnad and Jayaprada's Sur Sangam__PAGEBREAK__Sur Sangam (1985)
Hot Performers: Girish Karnad, Jayaprada
Director: K Vishwanath
Music Directors: Laxmikant-Pyarelal, Appu
Girish Karnad essays Pt Shivshankar Shastri in this classic by K Vishwanath. Many great musicians and singers will be able to identify with this film at a deeper level, which also merged social issues with the basic theme of music. Sur Sangam's music can truly be described as a treat for classical buffs – the numbers being Aaye Sur Ke, Hey Shivshankar, Dhanyabhag Sevaka, Maazi Re, Mai Ka Bhulave, Parbhu More Avgoon, Saadh Re Mann, Saadha Aisa Hi Sur and Tore Charan Kamal. Shastri is a maestro who's been a royal court musician but is now down and out and staying in a hamlet with his daughter Sharda (Sadhana Singh). But he has not lost hope and is looking out for an heir to hand down his great musical wisdom to. Finally, he finds 'a suitable boy' in Tulsi's (Jayaprada) illegitimate son, also falling in love with the mother in the process. Due to this and his stubborn attitude, Shastri even refuses Kanneshwar's (Sachin) proposal for Sharda. Soon, he's rebuked by all and becomes a recluse in spite of his genius.
Jayaprada in AK97?
Next Page: Madhuri-Jackie's Sangeet __PAGEBREAK__Sangeet (1992)
Hot Performers: Madhuri Dixit, Jackie Shroff
Director: K Vishwanath
Music Directors: Anand-Milind
Another K Vishwanath hit musical. And a surprise from music directors Anand-Milind, who don't have many hits to their credit apart from Qayamat Se Qayamat Tak and a few others. From Sangeet, O Rabba Koi To Bataye still resonates, so does Saat Suron Ke, Main Awara Ek Banjara, Chali Aiyo Radhe Rani, Sangeet Jahaan Hai Geet Wahaan and Jo Geet Nahin. Madhuri Dixit has a double role in it. The older one is Nirmala, a music-loving wife of a businessman, who folk singer Sethuram (Jackie Shroff) meets when he comes to Bombay to pursue his dreams. Sethu also bumps into a blind singer-dancer Sangeeta (the younger Madhuri) who he introduces to Nirmala for tutoring. Predictably, Sangeeta turns out to be Nirmala's daughter. The music cassettes of this film (no CDs then) had sold like hot cakes then.
MUST SEE: Ash-Madhuri's backstage vibes
Next Page: Dino-Rinke in Pyaar Mein Kabhi Kabhi __PAGEBREAK__Pyaar Mein Kabhi Kabhi (1999)
Hot Performers: Dino Morea, Rinke Khanna, Sanjay Suri, Akashdeep Sehgal
Director: Raj Kaushal
Music Directors: Vishal-Shekhar and Salim-Suleiman
The Nepali number Musu Musu Hasi was enough to arouse interest PMKK, along with new faces Dino Morea (Sid), Rinke Khanna (Khushi), Sanjay Suri (Bugs) and the now famous Akashdeep Sehgal (Ronnie) among others. The film, shot in Fergusson College, Pune, revolves around these students who have musical aspirations and finally succeed in getting what they want. The main love story is between Sid and Khushi, and there're youth issues thrown in like college life and AIDS. But what's enviable is, together, the cast got to belt out hit numbers like Pyaar Mein Kabhi Kabhi, Woh Pehli Baar, Dil Se Mere and Lakho Deewane (as actors). This film was liked by college-goers and also did good for its music directors and singers Shaan and Mahalaxmi.
MUSIC REVIEW: Vishal-Shekhar's Bachna Ae Haseeno
Next Page: Rishi Kapoor's Hum Kisise Kum Naheen__PAGEBREAK__Hum Kisise Kum Naheen (1977)
Hot Performers: Rishi Kapoor, Tariq, Kaajal Kiran, Amjad Khan
Director: Nasir Hussain
Music Directors: RD Burman
Well, quite simply, this is the film Ranbir Kapoor's Bachna Ae Haseeno borrows its title and track from. No harm in borrowing from dad's film, right Ranbir? In the film, Rishi Kapoor is Rajesh, a young man in search of his dead father's diamonds, when he bumps into Kaajal (Kaajal Kiran). The third element in the love triangle is Sanjay (Tariq), Kaajal's childhood sweetheart. But there's more to the game than meets in the eye, as Saudagar Singh (Amjad Khan) is also in a quest for those diamonds and creates trouble in the lives of the three protagonists. Hum Kisise… was a hit, again due to a major contribution by RD Burman's oh-so-hummable score, apart from Nasir Hussain's cool direction. Kishore Kumar's song Bachna Ae Haseeno is just the tip of the iceberg. Think of Kya Hua Tera Wada, Yeh Ladka Hai Allah, Humko To Yaara Teri Yaari, Hai Agar Dushman, and the competition numbers Chand Mera Dil, Ah Dil Kya, Oh Tum Kya Jaano, Mil Gaya Humko Saathi – and it's a bet you'll start swaying in your seat!
All about Ranbir on Buzz18
Next Page: Farhan's Rock On__PAGEBREAK__Rock On (2008)
Starring hotshot director Farhan Akhtar in the main lead opposite debutante Prachi Desai, the story is about a rock band called Magik. The other band members are played by cool dudes Arjun Rampal, Luke Kenny and Purab Kohli. Let's hope this film whets the appetite of rock buffs in India!
1st LOOK: Farhan-Prachi's Rock On
Music review: Rock On, Shankar-Ehsaan-Loy!
Team Rock On jams it up.
18-8-2008 21:22:26
'Those a!@#holes make crap'
Says Rajat Kapoor who is ready with his latest release, Hulla
After 15 years of struggling to make his kind of cinema, Rajat Kapoor has come into his own. Now an established actor and a director who's found a firm footing, Rajat talks about his latest effort to break away from being stereotyped in a role – a film called Hulla...
You played a major role in seeing the Hulla project through. How did it all come about?
Jaideep Varma (director of Hulla) had seen my film Raghu Romeo, and so he approached me to direct Hulla. But I only direct what I write and have my own stories to tell. And since he had so much faith in the project, I asked him to direct it. I agreed to be the executive producer of the film, which is how Sunil Doshi the producer came into the picture. But later, I was also acting in it.
Sunil Doshi has also produced some of your films. Is that how he agreed to do Hulla?
Sunil is a phenomenal person and is backing a lot of brave, difficult films. I'm there in most of his films but not all.
It's the first time you're playing a middle-class man. How did it go?
Yes, in this film and in another film called Prisoner (for which I so modestly say I won an award at Osian's), I've played middle-class characters. I've deliberately done it to break away from the Corporate image. So, it was good to play Janardan, the building secretary in Hulla.
Why do only these kind of stories attract you, and not mainstream cinema?
Not that I only like small films – I loved The Dark Knight. But a film's script has to have a certain sensibility. In Hulla, Jaideep's passion was a big factor – how important it was for him to make it. A director has to be driven to make a film. It's like cancer – you can't get rid of it.
__PAGEBREAK__You haven't been seen in many commercial films. For sure, you get a lot of offers…
When I do a Corporate, I'm offered 20 roles like that, which doesn't excite me. Bheja Fry was not commercial but was a success.
What do you think will work for Hulla? Will it do a Bheja Fry?
I don't know (disinterested). It may or may not work. I hope it does.
Which among the characters you have played, is your favourite and which is not?
I liked Corporate, Bheja Fry, Monsoon Wedding, Prisoner, I M 24, Khoya Khoya Chand and of course, Dil Chahta Hai, which was a very difficult role to play since I had nothing to do and yet make my presence felt. Roles I don't like: Kisna, Krazzy 4 and Tum....
Is it on purpose that you choose to work with first-time directors? Do you hear them all out?
I empathise with them and would do anything to support them. I read 40 scripts last year. I get one call every day. Most of it is crap but people are passionate.
Aren't you doing anything on television again?
We've just wrapped up two seasons of Lounge on NDTV Good Times, which I enjoyed doing. But otherwise, TV is a crappy medium. I'm not going back to it.
But you're active in theatre?
Yes. I've directed a comedy called Hamlet The Clown Prince, which opens on September 16 at Prithvi Theatre.
__PAGEBREAK__Your opinion on the current scenario of offbeat films.
I feel this is the best time in 40 years to make independent films. In the '70s, new wave cinema came in thanks to NFDC. But it died in the mid-'80s. Today, it's a resurgence. Look at A Wednesday or Mumbai Meri Jaan. The multiplexes at least give you a chance to showcase your films. I had made a film in 1995 called Private Detective which nobody has seen, because we didn't have theatres to show those films then. You could not reach your audience. Those a!@#holes want to make crappy films like Tashan and Jhoom Barabar Jhoom…. Personally, right now it's a dream. I'm in a position to produce other people's films and act in them. We're allowed to co-exist. I'm quite happy to be on the margins of the film industry.
Will it be the same five years from now?
I don't know. It's easier for me, since I'm established now. But for newcomers, one can't say.
You were always adamant on making offbeat films. Was your personal life affected by your struggling years?
Yes, in a way. In my 15 years of struggle, I never made a commercial film. I wrote articles for Sunday Mid-Day sometimes. But we were used to it. I've recently bought a car, but if I have to go back to travelling by train, I can do it.
Any more international films like Monsoon Wedding in the offing?
No, I don't chase them, if they come it's fine.
Your other forthcoming projects…
I've recently done Saurabh Shukla's film called I M 24 with Ranvir Shorey, Neha Dhupia and me, which will release in November. I think it will be a huge success. I'm playing a bald 42-year-old writer who never lies, but when he meets a 20-year-old girl on the Net, he starts lying to her…. Then there's the Bheja Fry dialogue-writer Sharad Kataria's film Rangeen, adapted from Shakespeare's A Midsummer Night's Dream. I've just finished directing A Rectangular Love Story with Gul Panag, Ranvir Shorey, Purab Kohli and Neil Bhoopalam in it. My December release is Raat Gayi, Baat Gayi with Vinay, Neha Dhupia and me. And Dasvidaniya is in post-production.
After 15 years of struggling to make his kind of cinema, Rajat Kapoor has come into his own. Now an established actor and a director who's found a firm footing, Rajat talks about his latest effort to break away from being stereotyped in a role – a film called Hulla...
You played a major role in seeing the Hulla project through. How did it all come about?
Jaideep Varma (director of Hulla) had seen my film Raghu Romeo, and so he approached me to direct Hulla. But I only direct what I write and have my own stories to tell. And since he had so much faith in the project, I asked him to direct it. I agreed to be the executive producer of the film, which is how Sunil Doshi the producer came into the picture. But later, I was also acting in it.
Sunil Doshi has also produced some of your films. Is that how he agreed to do Hulla?
Sunil is a phenomenal person and is backing a lot of brave, difficult films. I'm there in most of his films but not all.
It's the first time you're playing a middle-class man. How did it go?
Yes, in this film and in another film called Prisoner (for which I so modestly say I won an award at Osian's), I've played middle-class characters. I've deliberately done it to break away from the Corporate image. So, it was good to play Janardan, the building secretary in Hulla.
Why do only these kind of stories attract you, and not mainstream cinema?
Not that I only like small films – I loved The Dark Knight. But a film's script has to have a certain sensibility. In Hulla, Jaideep's passion was a big factor – how important it was for him to make it. A director has to be driven to make a film. It's like cancer – you can't get rid of it.
__PAGEBREAK__You haven't been seen in many commercial films. For sure, you get a lot of offers…
When I do a Corporate, I'm offered 20 roles like that, which doesn't excite me. Bheja Fry was not commercial but was a success.
What do you think will work for Hulla? Will it do a Bheja Fry?
I don't know (disinterested). It may or may not work. I hope it does.
Which among the characters you have played, is your favourite and which is not?
I liked Corporate, Bheja Fry, Monsoon Wedding, Prisoner, I M 24, Khoya Khoya Chand and of course, Dil Chahta Hai, which was a very difficult role to play since I had nothing to do and yet make my presence felt. Roles I don't like: Kisna, Krazzy 4 and Tum....
Is it on purpose that you choose to work with first-time directors? Do you hear them all out?
I empathise with them and would do anything to support them. I read 40 scripts last year. I get one call every day. Most of it is crap but people are passionate.
Aren't you doing anything on television again?
We've just wrapped up two seasons of Lounge on NDTV Good Times, which I enjoyed doing. But otherwise, TV is a crappy medium. I'm not going back to it.
But you're active in theatre?
Yes. I've directed a comedy called Hamlet The Clown Prince, which opens on September 16 at Prithvi Theatre.
__PAGEBREAK__Your opinion on the current scenario of offbeat films.
I feel this is the best time in 40 years to make independent films. In the '70s, new wave cinema came in thanks to NFDC. But it died in the mid-'80s. Today, it's a resurgence. Look at A Wednesday or Mumbai Meri Jaan. The multiplexes at least give you a chance to showcase your films. I had made a film in 1995 called Private Detective which nobody has seen, because we didn't have theatres to show those films then. You could not reach your audience. Those a!@#holes want to make crappy films like Tashan and Jhoom Barabar Jhoom…. Personally, right now it's a dream. I'm in a position to produce other people's films and act in them. We're allowed to co-exist. I'm quite happy to be on the margins of the film industry.
Will it be the same five years from now?
I don't know. It's easier for me, since I'm established now. But for newcomers, one can't say.
You were always adamant on making offbeat films. Was your personal life affected by your struggling years?
Yes, in a way. In my 15 years of struggle, I never made a commercial film. I wrote articles for Sunday Mid-Day sometimes. But we were used to it. I've recently bought a car, but if I have to go back to travelling by train, I can do it.
Any more international films like Monsoon Wedding in the offing?
No, I don't chase them, if they come it's fine.
Your other forthcoming projects…
I've recently done Saurabh Shukla's film called I M 24 with Ranvir Shorey, Neha Dhupia and me, which will release in November. I think it will be a huge success. I'm playing a bald 42-year-old writer who never lies, but when he meets a 20-year-old girl on the Net, he starts lying to her…. Then there's the Bheja Fry dialogue-writer Sharad Kataria's film Rangeen, adapted from Shakespeare's A Midsummer Night's Dream. I've just finished directing A Rectangular Love Story with Gul Panag, Ranvir Shorey, Purab Kohli and Neil Bhoopalam in it. My December release is Raat Gayi, Baat Gayi with Vinay, Neha Dhupia and me. And Dasvidaniya is in post-production.
'I'm an insecure actor'
Sharmila Tagore talks about her Marathi film with Amol Palekar
"I'm never happy with my performance," quips Sharmila Tagore, a veteran with 50 years of experience. Having acted in almost 100 Hindi films and several Bengali films, the actress is cruising the uncharted territory now with a Marathi film. Titled Samaantar, it pairs Sharmila with her contemporary, actor-director Amol Palekar.
The two had earlier done a Bengali film together, which is where they'd struck a rapport. So, when Amol approached her for a role in Samaantar, which has been scripted and co-directed by his wife Sandhya Gokhale, Sharmila didn't think twice before giving a nod. But it gave her the jitters later to think that she had to emote in an alien language. We decided to chat with Sharmila Tagore to find out how she overcame the obstacles while acting in a Marathi film, and the whole experience. Excerpts:
What enticed you take up a Marathi film?
Well, it's not like I'm playing a teenager here. I looked at the kind of dignity, maturity and sensitivity the character had. It's a role which has several layers to it. When I started working on it, I found it was better than what I had expected. I found myself lacking to what it demanded. I'm a very insecure actor, in that sense. But once I face the camera, I'm a confident person.
How was it working with Amol Palekar? Was he a strict director and co-star?
Amol was very supportive and it was quite easy to work with him. You know how he is – he speaks very softly and hardly ever criticises. We had worked together in a Bengali film many years back and had had a lot of fun then. So, I knew him and had faith in him. It was a very positive experience.
Was it difficult to say your lines in Marathi?
I don't know how I managed! I tried to do my best. It's a language rich in literature. But Marathi and Bengali have some similar words; only the pronunciation is different. So, in that sense it was not too difficult. And of course, I could remember the lines (you can't work for 50 years and not do that). But I could not really play with my pauses and nuances, as I can with Bengali. Here, I had to rely on someone else's suggestions.
__PAGEBREAK__What is the film and your character about?
It explores man-woman relationships. My character is that of a middle-class woman from Pune who's staying in Kolkata. And so, we shot in both cities and in beautiful locations. One-and-a-half hours from Kolkata, in Kalna, we could see the Dakshineshwar temple across the village. It was beautiful.
Any particular scene you found difficult to enact?
There was this scene, which was getting difficult, as it was very hot in Kolkata where we shot half of the film. But Amol helped me and Sandhya, who was at the monitor. The assistants, guided me, too. So, it's a team effort. In regional cinema, this is how it is. People are not there for money. There is a certain oneness and commitment. And there is an instant identification with the people around you – the same clothes, the same language.
What's your take on regional cinema in the age of multiplex releases? Are you confident about Samaantar doing well with the audience?
I've always valued regional cinema. That was the temptation to accept this film. But now I'm full of fear, as people will really see the performance very closely, and with interest, I hope. It was great working with Amol, and young actors like Sameer Dharmadhikari and Radhika Apte. It was a Maharashtrian unit shooting in Kolkata, only the director of photography was Bengali. We mixed communication in Bengali and Marathi very well. It was not a cakewalk. But in the end, it is all about supporting good cinema. Let's hope I have passed the test.
"I'm never happy with my performance," quips Sharmila Tagore, a veteran with 50 years of experience. Having acted in almost 100 Hindi films and several Bengali films, the actress is cruising the uncharted territory now with a Marathi film. Titled Samaantar, it pairs Sharmila with her contemporary, actor-director Amol Palekar.
The two had earlier done a Bengali film together, which is where they'd struck a rapport. So, when Amol approached her for a role in Samaantar, which has been scripted and co-directed by his wife Sandhya Gokhale, Sharmila didn't think twice before giving a nod. But it gave her the jitters later to think that she had to emote in an alien language. We decided to chat with Sharmila Tagore to find out how she overcame the obstacles while acting in a Marathi film, and the whole experience. Excerpts:
What enticed you take up a Marathi film?
Well, it's not like I'm playing a teenager here. I looked at the kind of dignity, maturity and sensitivity the character had. It's a role which has several layers to it. When I started working on it, I found it was better than what I had expected. I found myself lacking to what it demanded. I'm a very insecure actor, in that sense. But once I face the camera, I'm a confident person.
How was it working with Amol Palekar? Was he a strict director and co-star?
Amol was very supportive and it was quite easy to work with him. You know how he is – he speaks very softly and hardly ever criticises. We had worked together in a Bengali film many years back and had had a lot of fun then. So, I knew him and had faith in him. It was a very positive experience.
Was it difficult to say your lines in Marathi?
I don't know how I managed! I tried to do my best. It's a language rich in literature. But Marathi and Bengali have some similar words; only the pronunciation is different. So, in that sense it was not too difficult. And of course, I could remember the lines (you can't work for 50 years and not do that). But I could not really play with my pauses and nuances, as I can with Bengali. Here, I had to rely on someone else's suggestions.
__PAGEBREAK__What is the film and your character about?
It explores man-woman relationships. My character is that of a middle-class woman from Pune who's staying in Kolkata. And so, we shot in both cities and in beautiful locations. One-and-a-half hours from Kolkata, in Kalna, we could see the Dakshineshwar temple across the village. It was beautiful.
Any particular scene you found difficult to enact?
There was this scene, which was getting difficult, as it was very hot in Kolkata where we shot half of the film. But Amol helped me and Sandhya, who was at the monitor. The assistants, guided me, too. So, it's a team effort. In regional cinema, this is how it is. People are not there for money. There is a certain oneness and commitment. And there is an instant identification with the people around you – the same clothes, the same language.
What's your take on regional cinema in the age of multiplex releases? Are you confident about Samaantar doing well with the audience?
I've always valued regional cinema. That was the temptation to accept this film. But now I'm full of fear, as people will really see the performance very closely, and with interest, I hope. It was great working with Amol, and young actors like Sameer Dharmadhikari and Radhika Apte. It was a Maharashtrian unit shooting in Kolkata, only the director of photography was Bengali. We mixed communication in Bengali and Marathi very well. It was not a cakewalk. But in the end, it is all about supporting good cinema. Let's hope I have passed the test.
'The director's faith in me was scary'
Sushant Singh talks about his next, Hulla
He's acted in quite a few films and TV serials and some plays, but Sushant Singh is remembered mostly for The Legend of Bhagat Singh, 16 December and Smriti Irani's Viruddh. Not noticed in Mukhbiir either as the film flopped, Sushant is still very upbeat about his role in Hulla. Excerpts from a chat with the actor…
Is this film like a comeback for you?
Yes and no. Everybody's asking me – Where have you been? Unfortunately, last year four of my big releases bombed and so nobody noticed me in them. Recently, Mukhbiir too didn't do well. So, I have been around but not seen.
How did you bag the role in Hulla?
It's long story about not so long a film. I met Jaideep, the director, about four-and-a-half years ago. Rajit (not Rajat) Kapoor was supposed to direct the film then. But they parted ways. Jaideep had approached me as a writer and only wanted me to play the role of Raj, a small-time stockbroker. It was touching as well as scary, as with it came a huge responsibility. I remember thinking, 'Am I that talented that this guy wants only me?'
Wasn't the part of working with a new director also scary?
I have worked with a lot of first-time directors. Also, most filmmakers' debut films are hits – for example, Ram Gopal Varma or Rajkumar Santoshi. Plus, the producer of Hulla gave a free hand and did not interfere. That also brought down the budget but a lower budget is better than no budget at all.
How has your role shaped up?
It would be arrogant to say that I was born to do this role. Every actor brings in a part of his personality to each role. For example, Manoj Bajpayee's Bhiku Mhatre or Amjad Khan's Gabbar Singh. Most often, I'm a good judge of myself. In Hulla, there are places where I'm not very happy with my performance. But the director has assured me I've done a nice job.
What's the film's story?
Raj is a stockbroker and there's a lot of noise in his working environment. His wife Abha (Kartika Rane) and he move to a place in the suburbs. At first, it's too quiet for Raj but later he can't seem to get a good night's sleep, as the night watchman keeps blowing a whistle. He approaches the building's secretary (Rajat Kapoor). The film shows their ego clash and how Raj ends up losing control of his life.
So, the film has a sad ending?
__PAGEBREAK__It's not a happy ending, but a logical one. Nobody is trying to make you laugh in the film. It's a 'realistic' comedy.
Do you see scope for a sequel?
Yeah, we talked about it all the time. The chemistry between Raj and Abha was very interesting. It would be cool to explore how a totally middle-class man and a south Mumbai girl fell in love and got married. That would be a prequel.
How much did you base your character from your real life?
Not from my real life, but Jaideep's, since Hulla is based on his personal experience. I based Raj on Jaideep, imagining how he would react to certain situations. I never told him, though. So, when his father-in-law saw the film, he told Jaideep, 'This chap behaves a lot like you'! That's when Jaideep came to know. It was like a compliment for me.
What's happening on the TV front after Viruddh was shelved?
I like films because, they're more definite. Viruddh became a TRP victim. Interestingly, I'm doing a film called Idiot Box, which is a spoof on TV. After the Viruddh episode, I think I'm qualified enough to act in it!
What about more films?
There's a film called Lahore based on kickboxing. I trained in the art for the film. In real life, I strike a balance between the gym and yoga. Then there's a film called Toss, a thriller where I play the bad guy.
What do you prefer playing – a bad guy or a good one?
I think playing a good guy is more rewarding in the sense it pays more. But playing a bad guy is more satisfying.
Are you still pursuing theatre?
Every two years, I like to do a Hindi play. But I'm into serious theatre. If I'm spending three months in rehearsing, then it should be satisfying. I do it for passion not for money and so, feel it should communicate something. I don't get kicks by doing comedy in theatre.
He's acted in quite a few films and TV serials and some plays, but Sushant Singh is remembered mostly for The Legend of Bhagat Singh, 16 December and Smriti Irani's Viruddh. Not noticed in Mukhbiir either as the film flopped, Sushant is still very upbeat about his role in Hulla. Excerpts from a chat with the actor…
Is this film like a comeback for you?
Yes and no. Everybody's asking me – Where have you been? Unfortunately, last year four of my big releases bombed and so nobody noticed me in them. Recently, Mukhbiir too didn't do well. So, I have been around but not seen.
How did you bag the role in Hulla?
It's long story about not so long a film. I met Jaideep, the director, about four-and-a-half years ago. Rajit (not Rajat) Kapoor was supposed to direct the film then. But they parted ways. Jaideep had approached me as a writer and only wanted me to play the role of Raj, a small-time stockbroker. It was touching as well as scary, as with it came a huge responsibility. I remember thinking, 'Am I that talented that this guy wants only me?'
Wasn't the part of working with a new director also scary?
I have worked with a lot of first-time directors. Also, most filmmakers' debut films are hits – for example, Ram Gopal Varma or Rajkumar Santoshi. Plus, the producer of Hulla gave a free hand and did not interfere. That also brought down the budget but a lower budget is better than no budget at all.
How has your role shaped up?
It would be arrogant to say that I was born to do this role. Every actor brings in a part of his personality to each role. For example, Manoj Bajpayee's Bhiku Mhatre or Amjad Khan's Gabbar Singh. Most often, I'm a good judge of myself. In Hulla, there are places where I'm not very happy with my performance. But the director has assured me I've done a nice job.
What's the film's story?
Raj is a stockbroker and there's a lot of noise in his working environment. His wife Abha (Kartika Rane) and he move to a place in the suburbs. At first, it's too quiet for Raj but later he can't seem to get a good night's sleep, as the night watchman keeps blowing a whistle. He approaches the building's secretary (Rajat Kapoor). The film shows their ego clash and how Raj ends up losing control of his life.
So, the film has a sad ending?
__PAGEBREAK__It's not a happy ending, but a logical one. Nobody is trying to make you laugh in the film. It's a 'realistic' comedy.
Do you see scope for a sequel?
Yeah, we talked about it all the time. The chemistry between Raj and Abha was very interesting. It would be cool to explore how a totally middle-class man and a south Mumbai girl fell in love and got married. That would be a prequel.
How much did you base your character from your real life?
Not from my real life, but Jaideep's, since Hulla is based on his personal experience. I based Raj on Jaideep, imagining how he would react to certain situations. I never told him, though. So, when his father-in-law saw the film, he told Jaideep, 'This chap behaves a lot like you'! That's when Jaideep came to know. It was like a compliment for me.
What's happening on the TV front after Viruddh was shelved?
I like films because, they're more definite. Viruddh became a TRP victim. Interestingly, I'm doing a film called Idiot Box, which is a spoof on TV. After the Viruddh episode, I think I'm qualified enough to act in it!
What about more films?
There's a film called Lahore based on kickboxing. I trained in the art for the film. In real life, I strike a balance between the gym and yoga. Then there's a film called Toss, a thriller where I play the bad guy.
What do you prefer playing – a bad guy or a good one?
I think playing a good guy is more rewarding in the sense it pays more. But playing a bad guy is more satisfying.
Are you still pursuing theatre?
Every two years, I like to do a Hindi play. But I'm into serious theatre. If I'm spending three months in rehearsing, then it should be satisfying. I do it for passion not for money and so, feel it should communicate something. I don't get kicks by doing comedy in theatre.
'The industry is a sh***y place'
Hulla director Jaideep Varma talks about his film, actors and Bollywood
Jaideep Varma left advertising to write a book. And then he left that to make films. After seven long years, the newbie director is finally out with his debut, Hulla, releasing on September 19. Buzz18 chats with the filmmaker…
Where did the idea for an unusual film like Hulla come from?
It's from my experience, about which I had written in my column in Gentleman magazine. The whole film is based on that one-page article.
You'd written a novel called Local. How did you come into filmmaking?
I was a copywriter, having worked with O&M, Mudra etc. I left advertising to pursue writing books. A friend of mine saw my magazine article and told me it would be a good story for a film. So, I wrote a script and approached many people to produce and direct it. But when things didn't work out, I took over in 2004, nudged by Rajat Kapoor.
Wasn't it easier, given your advertising background, to get a producer? After all, today we have names like Prasoon Joshi and R Balki who're making films...
In an agency, every copywriter worth his salt wants to make a film. So, if there were so many, why would producers entertain us? They wouldn't even give an appointment, forget listening to the story or financing. They said, 'Yeh to TV ki film hai'. It was difficult as Hulla didn't have a precedent – it has no stars, no love angle and no item songs. There's a lot of exploitation of talent in the industry vis-à-vis not paying writers. There are no work ethics. The industry is a sh***y place.
So, was it Rajat Kapoor who helped you get producer Sunil Doshi, who's produced some of Rajat's films?
Rajat did help in it, but Sunil has known me for a decade. He had faith in me and knew I would finish the project. Also, the script is original. The humour is very understated and subtle, not character-driven.
__PAGEBREAK__Did you always think of casting Rajat Kapoor, Sushant Singh and Kartika Rane?
Well, the role was written for Pankaj Kapur, but we had no money to pay him. He was offended with the amount we offered him. So, Rajat who had agreed to be the EP of the film, came in the picture. As for Sushant, I was very clear I wanted him. I feel he's one of our finest and most underrated actors. He'll be a director one day. In the female role, we had approached Konkona Sen Sharma. But again, our budget was low. And somehow I felt, I had written the role with Kartika in mind, as I used to watch her TV show Hum Pardesi Ho Gaye.
What is the budget of Hulla?
In a one-crore budget, we shot in Mumbai and Pune. And my entire crew consisted of first-timers.
Is this kind of subtle comedy a financially viable option?
Hulla is a minor miracle. This business is bad and I have persevered for seven years. A peon made more money than me in a film. Thankfully, I could survive as I was working with Cartwheel and making documentaries. But I feel humour is the most commercially viable thing. I want to test my theory with this film.
What are your future projects?
I want to first have a theatrical release of the documentary I've made on the band Indian Ocean. I would like to call it a non-fiction feature film. I feel it should work, as Rock On has been a hit. Then, I want to make three films each year – supervise two and direct one.
Are you into music?
I'm a big music fan and used to write essays on singer-songwriters for Gentleman.
Jaideep Varma left advertising to write a book. And then he left that to make films. After seven long years, the newbie director is finally out with his debut, Hulla, releasing on September 19. Buzz18 chats with the filmmaker…
Where did the idea for an unusual film like Hulla come from?
It's from my experience, about which I had written in my column in Gentleman magazine. The whole film is based on that one-page article.
You'd written a novel called Local. How did you come into filmmaking?
I was a copywriter, having worked with O&M, Mudra etc. I left advertising to pursue writing books. A friend of mine saw my magazine article and told me it would be a good story for a film. So, I wrote a script and approached many people to produce and direct it. But when things didn't work out, I took over in 2004, nudged by Rajat Kapoor.
Wasn't it easier, given your advertising background, to get a producer? After all, today we have names like Prasoon Joshi and R Balki who're making films...
In an agency, every copywriter worth his salt wants to make a film. So, if there were so many, why would producers entertain us? They wouldn't even give an appointment, forget listening to the story or financing. They said, 'Yeh to TV ki film hai'. It was difficult as Hulla didn't have a precedent – it has no stars, no love angle and no item songs. There's a lot of exploitation of talent in the industry vis-à-vis not paying writers. There are no work ethics. The industry is a sh***y place.
So, was it Rajat Kapoor who helped you get producer Sunil Doshi, who's produced some of Rajat's films?
Rajat did help in it, but Sunil has known me for a decade. He had faith in me and knew I would finish the project. Also, the script is original. The humour is very understated and subtle, not character-driven.
__PAGEBREAK__Did you always think of casting Rajat Kapoor, Sushant Singh and Kartika Rane?
Well, the role was written for Pankaj Kapur, but we had no money to pay him. He was offended with the amount we offered him. So, Rajat who had agreed to be the EP of the film, came in the picture. As for Sushant, I was very clear I wanted him. I feel he's one of our finest and most underrated actors. He'll be a director one day. In the female role, we had approached Konkona Sen Sharma. But again, our budget was low. And somehow I felt, I had written the role with Kartika in mind, as I used to watch her TV show Hum Pardesi Ho Gaye.
What is the budget of Hulla?
In a one-crore budget, we shot in Mumbai and Pune. And my entire crew consisted of first-timers.
Is this kind of subtle comedy a financially viable option?
Hulla is a minor miracle. This business is bad and I have persevered for seven years. A peon made more money than me in a film. Thankfully, I could survive as I was working with Cartwheel and making documentaries. But I feel humour is the most commercially viable thing. I want to test my theory with this film.
What are your future projects?
I want to first have a theatrical release of the documentary I've made on the band Indian Ocean. I would like to call it a non-fiction feature film. I feel it should work, as Rock On has been a hit. Then, I want to make three films each year – supervise two and direct one.
Are you into music?
I'm a big music fan and used to write essays on singer-songwriters for Gentleman.
'Hulla is very identifiable'
TV actress Kartika Rane talks about her forthcoming Bollywood flick
Having worked in TV commercials, serials and films, it was never about money for Kartika Rane – belonging to a wealthy and renowned family came in handy. So, the actress has been choosy about her work. We talked to Kartika about what attracted her to the role in Hulla…
Your first film Yash didn't do too well. Do you think Hulla is the right comeback?
Well, I've been out of Hindi films, but my Marathi film, Saatchya Aat Gharaat, did roaring business. As far as Hulla is concerned, I liked the script. It was identifiable, well packaged with a realistic comic angle.
How did you get the role of Abha in the film?
When Jaideep was writing this film, my serial Hum Pardesi Ho Gaye was on air. He called me and offered the film. I was like – 'Uh, yeah, sure, why not?' My character is a reality check – a working, newly married SoBo girl starting a new life in the suburbs with her middle-class husband. Everything has been brought out subtly in the film.
Any particular funny incident while shooting?
Yeah. There's this incident where a new neighbour comes in to give sweets, and I think the whole box is mine. It leads to some funny moments. This was actually my suggestion, and something like that has happened to me in real life. I kept laughing while shooting this. One should be able to laugh at oneself.
How was Jaideep as a director?
Always open to suggestions – maybe change a line or make it more colloquial. He never had a problem with that. He has a way of leading the team – sabko bandh ke chalta hai. And that's very good for a first-time director.
Is Hulla in the Bheja Fry league?
I don't know its league. But the film is completely identifiable. Even if a building watchman sees it, he'll feel it's his story. We are very optimistic and keep joking about having a sequel all the time.
Have you been offered any Hindi, Marathi or southern films?
Not as of now. People out there know what kind of work I do. If I flip for a script, I'd do it. However, I could turn to direction someday.
Having worked in TV commercials, serials and films, it was never about money for Kartika Rane – belonging to a wealthy and renowned family came in handy. So, the actress has been choosy about her work. We talked to Kartika about what attracted her to the role in Hulla…
Your first film Yash didn't do too well. Do you think Hulla is the right comeback?
Well, I've been out of Hindi films, but my Marathi film, Saatchya Aat Gharaat, did roaring business. As far as Hulla is concerned, I liked the script. It was identifiable, well packaged with a realistic comic angle.
How did you get the role of Abha in the film?
When Jaideep was writing this film, my serial Hum Pardesi Ho Gaye was on air. He called me and offered the film. I was like – 'Uh, yeah, sure, why not?' My character is a reality check – a working, newly married SoBo girl starting a new life in the suburbs with her middle-class husband. Everything has been brought out subtly in the film.
Any particular funny incident while shooting?
Yeah. There's this incident where a new neighbour comes in to give sweets, and I think the whole box is mine. It leads to some funny moments. This was actually my suggestion, and something like that has happened to me in real life. I kept laughing while shooting this. One should be able to laugh at oneself.
How was Jaideep as a director?
Always open to suggestions – maybe change a line or make it more colloquial. He never had a problem with that. He has a way of leading the team – sabko bandh ke chalta hai. And that's very good for a first-time director.
Is Hulla in the Bheja Fry league?
I don't know its league. But the film is completely identifiable. Even if a building watchman sees it, he'll feel it's his story. We are very optimistic and keep joking about having a sequel all the time.
Have you been offered any Hindi, Marathi or southern films?
Not as of now. People out there know what kind of work I do. If I flip for a script, I'd do it. However, I could turn to direction someday.
Was Alina plain unlucky?
The 'Ms Goody Two Shoes' was voted out of Bigg Boss 2 this week
The Bigg Boss 2 evictions have a way of throwing up surprises. Last week, Alina Wadiwala and Raja Chaudhary were nominated for evictions. While it was expected that Raja would be nominated some time in the early episodes of the show, the nomination of Alina Wadiwala by fellow housemates came as a real surprise.
Interestingly, Alina had been in the Dumping Zone for two weeks consecutively, having been nominated the week before last along with Ketki Dave, Zulfi Syed and Payal Rohatgi. Apart from Alina, Rahul Mahajan had also felt the heat of the Zone for two weeks – once with Rakhi Vijan and then with Monica Bedi. Both times, it was the female who was evicted and Rahul romped home safely.
Rahul in Dumping Zone again
Alina had talked with all housemates as to why some of them had nominated her, when was nice to all and had not indulged in any bitching or backbiting so far. She confronted Sambhavana Seth and also shared her thoughts with Rahul Mahajan. In the earlier week though, she had apparently said certain things about Payal Rohatgi too for having nominated her.
But to her disappointment, Alina was shown the door. The housemate was a favourite with viewers, labelled 'too sweet'. It has come as a shock to Alina's newfound fans. At the same time, her detractors who'd labelled her as 'shrewd' have kind of had the last word.
The game probably would've been spoilt if Raja Chaudhary was evicted, as after being appointed Sarkar, his confidence had got a boost and he's currently flirting full on with Payal Rohatgi right in front of Rahul's (supposedly her boyfriend) eyes.
Keep watching Bigg Boss 2 on Colors, every night at 10 pm IST, to see how Alina Wadiwala's eviction affects the other housemates.
ONLINE CHAT: Alina Wadiwala, Tuesday, 2 pm IST. Keep watching this space for more.
The Bigg Boss 2 evictions have a way of throwing up surprises. Last week, Alina Wadiwala and Raja Chaudhary were nominated for evictions. While it was expected that Raja would be nominated some time in the early episodes of the show, the nomination of Alina Wadiwala by fellow housemates came as a real surprise.
Interestingly, Alina had been in the Dumping Zone for two weeks consecutively, having been nominated the week before last along with Ketki Dave, Zulfi Syed and Payal Rohatgi. Apart from Alina, Rahul Mahajan had also felt the heat of the Zone for two weeks – once with Rakhi Vijan and then with Monica Bedi. Both times, it was the female who was evicted and Rahul romped home safely.
Rahul in Dumping Zone again
Alina had talked with all housemates as to why some of them had nominated her, when was nice to all and had not indulged in any bitching or backbiting so far. She confronted Sambhavana Seth and also shared her thoughts with Rahul Mahajan. In the earlier week though, she had apparently said certain things about Payal Rohatgi too for having nominated her.
But to her disappointment, Alina was shown the door. The housemate was a favourite with viewers, labelled 'too sweet'. It has come as a shock to Alina's newfound fans. At the same time, her detractors who'd labelled her as 'shrewd' have kind of had the last word.
The game probably would've been spoilt if Raja Chaudhary was evicted, as after being appointed Sarkar, his confidence had got a boost and he's currently flirting full on with Payal Rohatgi right in front of Rahul's (supposedly her boyfriend) eyes.
Keep watching Bigg Boss 2 on Colors, every night at 10 pm IST, to see how Alina Wadiwala's eviction affects the other housemates.
ONLINE CHAT: Alina Wadiwala, Tuesday, 2 pm IST. Keep watching this space for more.
REVIEW: The X-Files reopened
The film is for die-hard fans of Dana Scully and Fox Mulder
Creator Chris Carter's TV series The X-Files (1993-2002) was phenomenally successful and made superstars out of its two protagonists, Fox Mulder and Dana Scully. Carter directs the second feature film based on the gripping series.
What's it about
As the film starts with the familiar spooky soundtrack of The X-Files, you don't know what to expect. The story begins quickly, without wasting time on titles. A troop of FBI agents are looking for a lost agent in a snow-clad field in Somerset, West Virginia. With the help of a psychic man, they unearth a man's hand….
Ex-FBI Special Agent, Dr Dana Scully (Gillian Anderson, older, slimmer, wiser) is now working with the Our Lady of Sorrows hospital and happy with her new life trying to save 'normal' people. She is summoned by the FBI to help find a missing federal agent. Scully is hesitant, but then convinces her ol' colleague, Special Agent Fox Mulder (David Duchovny) to help her on the job.
Mulder is leading "a life in isolation", with a "scruffy beard" and newspaper cuttings of aliens and pencil darts to accompany him. Reluctant at first, he gets on the job. The two former agents must take the help of Father Joseph 'Joe' Crissman (Billy Connolly), a smoking psychic paedophile priest, who claims to have visions.
What we liked
It's evident from Scully and Mulder's interactions with Assistant Special Agent in Charge, Dakota Whitney (Amanda Peet) and Agent Mosley Drummy (Xzibit), as to how removed they had been for six years from the world of the Bureau (and 10 years from the last X-Files film). Moreover, the smirk and 'how things have changed' glance Mulder and Scully share upon seeing President George Bush's portrait on the wall is priceless.
WATCH TRAILER: The X-Files: I Want To Believe
Next Page: Mulder and Scully get intimate__PAGEBREAK__The intimacy
There are no explicit sexual encounters between Fox and Dana in the film, not even a smooch so to speak. But the scene where both of them are lying under the covers with close-ups of only their faces, more than makes up to reveal that the intimacy between them is still on full blast even after so many years. Their faces are very close, and yet they're not kissing, simply talking. The small 'peck' on the lips reveals that it's talking shop after sex. It's a very well shot scene.
So, among the killings, the visions and the chasing, the film explores Scully and Mulder's relationship further – their equation remains the same but working together after so several years throws up its own doubts, some of them simply due to familiarity.
As Dr Scully struggles with a patient with an incurable disease, she no longer wants to support Mulder in his quest. But as always, cases are intertwined and she's pulled back into it. Old boss Skinner (Mitch Pileggi) makes an entry to help her.
The film, like the series, is more about Scully and Mulder's struggle between believing and non-believing, and trying to balance their normal lives with what Scully calls "the darkness".
Gillian Anderson takes the cake in acting, and her ripened look suits her. For David Duchovny, Fox Mulder is a character done to death. But your heart still goes out to Mulder in the film. Hats off to Duchovny for that. Callum Keith Rennie as Janke Dacyshyn, the abductor and organ stealer, is convincing. Billy Connolly delivers with the right expressions and gestures as Father Joe.
The X-Files London premiere
Next Page: Weaknesses, Verdict and Rating__PAGEBREAK__What we didn't like
The X-Files' new film may not be in the must-watch category, but it has moments trying to tell you a lot subtly. Unfortunately, it's just that and nothing more. This installment was a rather slow one, but more gory.
It picks up pace in the second-half and you can't leave your seat, as the mystery could be solved any moment. But it's more about the supernatural and the psychic than aliens and UFOs this time. And of course, the medical angle.
It would've done well for Chris Carter to take it a step forward and offer a little more than what the series had showed. But for someone who's the creator of virtual mini-movies in each episode of The X-Files on TV, and written the first film in 1998 (which was directed by Rob Bowman), it made sense to show the two protagonists leading lives away from the FBI.
The next X-Files film, if the producers ever make one, should take the story ahead. Maybe by showing Mulder and Scully married to each other…we don't know. But there just has to be something more to it. After all, even James Bond movies have rejuvenated themselves with a different, albeit more violent, edge in Daniel Craig's Casino Royale.
Even with so many things thrown in, The X-Files: I Want To Believe seems less complicated than the TV series thanks to a simpler plot.
Verdict: The film is for die-hard fans of Dana Scully and Fox Mulder. Those of you who found the TV series complicated should avoid it.
Rating: 2.5/ 5
David Duchovny addicted to sex
Creator Chris Carter's TV series The X-Files (1993-2002) was phenomenally successful and made superstars out of its two protagonists, Fox Mulder and Dana Scully. Carter directs the second feature film based on the gripping series.
What's it about
As the film starts with the familiar spooky soundtrack of The X-Files, you don't know what to expect. The story begins quickly, without wasting time on titles. A troop of FBI agents are looking for a lost agent in a snow-clad field in Somerset, West Virginia. With the help of a psychic man, they unearth a man's hand….
Ex-FBI Special Agent, Dr Dana Scully (Gillian Anderson, older, slimmer, wiser) is now working with the Our Lady of Sorrows hospital and happy with her new life trying to save 'normal' people. She is summoned by the FBI to help find a missing federal agent. Scully is hesitant, but then convinces her ol' colleague, Special Agent Fox Mulder (David Duchovny) to help her on the job.
Mulder is leading "a life in isolation", with a "scruffy beard" and newspaper cuttings of aliens and pencil darts to accompany him. Reluctant at first, he gets on the job. The two former agents must take the help of Father Joseph 'Joe' Crissman (Billy Connolly), a smoking psychic paedophile priest, who claims to have visions.
What we liked
It's evident from Scully and Mulder's interactions with Assistant Special Agent in Charge, Dakota Whitney (Amanda Peet) and Agent Mosley Drummy (Xzibit), as to how removed they had been for six years from the world of the Bureau (and 10 years from the last X-Files film). Moreover, the smirk and 'how things have changed' glance Mulder and Scully share upon seeing President George Bush's portrait on the wall is priceless.
WATCH TRAILER: The X-Files: I Want To Believe
Next Page: Mulder and Scully get intimate__PAGEBREAK__The intimacy
There are no explicit sexual encounters between Fox and Dana in the film, not even a smooch so to speak. But the scene where both of them are lying under the covers with close-ups of only their faces, more than makes up to reveal that the intimacy between them is still on full blast even after so many years. Their faces are very close, and yet they're not kissing, simply talking. The small 'peck' on the lips reveals that it's talking shop after sex. It's a very well shot scene.
So, among the killings, the visions and the chasing, the film explores Scully and Mulder's relationship further – their equation remains the same but working together after so several years throws up its own doubts, some of them simply due to familiarity.
As Dr Scully struggles with a patient with an incurable disease, she no longer wants to support Mulder in his quest. But as always, cases are intertwined and she's pulled back into it. Old boss Skinner (Mitch Pileggi) makes an entry to help her.
The film, like the series, is more about Scully and Mulder's struggle between believing and non-believing, and trying to balance their normal lives with what Scully calls "the darkness".
Gillian Anderson takes the cake in acting, and her ripened look suits her. For David Duchovny, Fox Mulder is a character done to death. But your heart still goes out to Mulder in the film. Hats off to Duchovny for that. Callum Keith Rennie as Janke Dacyshyn, the abductor and organ stealer, is convincing. Billy Connolly delivers with the right expressions and gestures as Father Joe.
The X-Files London premiere
Next Page: Weaknesses, Verdict and Rating__PAGEBREAK__What we didn't like
The X-Files' new film may not be in the must-watch category, but it has moments trying to tell you a lot subtly. Unfortunately, it's just that and nothing more. This installment was a rather slow one, but more gory.
It picks up pace in the second-half and you can't leave your seat, as the mystery could be solved any moment. But it's more about the supernatural and the psychic than aliens and UFOs this time. And of course, the medical angle.
It would've done well for Chris Carter to take it a step forward and offer a little more than what the series had showed. But for someone who's the creator of virtual mini-movies in each episode of The X-Files on TV, and written the first film in 1998 (which was directed by Rob Bowman), it made sense to show the two protagonists leading lives away from the FBI.
The next X-Files film, if the producers ever make one, should take the story ahead. Maybe by showing Mulder and Scully married to each other…we don't know. But there just has to be something more to it. After all, even James Bond movies have rejuvenated themselves with a different, albeit more violent, edge in Daniel Craig's Casino Royale.
Even with so many things thrown in, The X-Files: I Want To Believe seems less complicated than the TV series thanks to a simpler plot.
Verdict: The film is for die-hard fans of Dana Scully and Fox Mulder. Those of you who found the TV series complicated should avoid it.
Rating: 2.5/ 5
David Duchovny addicted to sex
Will you miss Sambhavana on BB2?
Many feel the drama queen's eviction was waiting to happen
Love 'er or hate 'er, you can't ignore her. That should best describe Bigg Boss 2's latest evicted participant, Sambhavana Seth. [Read: Sambhavana evicted!] So, will the woman dubbed as 'drama queen' be missed by the housemates?
One thing is for sure. Now that she is out, there'll be less friction between Rahul Mahajan and Payal Rohatgi, who often fought over the extra attention Rahul sometimes paid to Sam (or Samby, as Rahul likes to call her).
Sambhavana had a fight sometime or the other with every housemate, be it Payal, Ashutosh Kaushik or Alina Wadiwala. She had also been accused of using foul language on the show time and again.
Sambhavana takes revenge?
Another thing, which did not go down well with the viewers, was the fact that she spoke ill of her parents in one of the episodes, allegedly using swear words. That immediately put her in the 'bad girl' category.
In a volte face, Sambhavana tried to save herself from being evicted by buttering up Raja Chaudhary, since just a few days back she was talking of nominating him next if she were to stay back in the house. So much so that she even tried to kiss the man who's estranged from his wife, actress Shweta Tiwari of Kasauti Zindagii Kay fame.
Sambhavana was called the 'drama queen' as her attention-grabbing tactics were somewhat similar to those applied by another item girl Rakhi Sawant in Bigg Boss' first season on Sony.
But apparently, the endearing element was missing as far as Sambhavana Seth is concerned.
Rakhi, Monica, Alina or Sambhavana? Vote for the Wild Card entry on www.biggboss2.in.com
Love 'er or hate 'er, you can't ignore her. That should best describe Bigg Boss 2's latest evicted participant, Sambhavana Seth. [Read: Sambhavana evicted!] So, will the woman dubbed as 'drama queen' be missed by the housemates?
One thing is for sure. Now that she is out, there'll be less friction between Rahul Mahajan and Payal Rohatgi, who often fought over the extra attention Rahul sometimes paid to Sam (or Samby, as Rahul likes to call her).
Sambhavana had a fight sometime or the other with every housemate, be it Payal, Ashutosh Kaushik or Alina Wadiwala. She had also been accused of using foul language on the show time and again.
Sambhavana takes revenge?
Another thing, which did not go down well with the viewers, was the fact that she spoke ill of her parents in one of the episodes, allegedly using swear words. That immediately put her in the 'bad girl' category.
In a volte face, Sambhavana tried to save herself from being evicted by buttering up Raja Chaudhary, since just a few days back she was talking of nominating him next if she were to stay back in the house. So much so that she even tried to kiss the man who's estranged from his wife, actress Shweta Tiwari of Kasauti Zindagii Kay fame.
Sambhavana was called the 'drama queen' as her attention-grabbing tactics were somewhat similar to those applied by another item girl Rakhi Sawant in Bigg Boss' first season on Sony.
But apparently, the endearing element was missing as far as Sambhavana Seth is concerned.
Rakhi, Monica, Alina or Sambhavana? Vote for the Wild Card entry on www.biggboss2.in.com
Is Payal's exit good for Rahul-Monica?
The equations in Bigg Boss 2 have changed
The eviction of Payal Rohatgi is bound to change a lot of things in the Bigg Boss 2 House. For one, her equation and alleged affair with Rahul Mahajan was a bone of contention for many. But now that most of the females are out of Bigg Boss 2, the one person who would stand to benefit from this result is Monica Bedi.
Monica has had a Wild Card Entry in the House just a few days back. And now suddenly, Payal is out. In spite of his closeness to Payal, Rahul has openly flirted with all the BB2 women. Having said that, it was evident he had a special place in his heart for Monica. And now that she's back, the game has got murkier.
Is Monica playing a game with Rahul?
Raja Chaudhary too was seen cosying up to Monica after her reentry, as he felt she carried secret information about the Bigg Boss and the housemates.
Meanwhile, the only other female contender left in the House is Diana Hayden. Let's see whether she gels with Monica or not. Diana plays the Ms Goody Two Shoes game with as much ease as Monica. Hence, there's a possibility of a 'I'm nicer than her' tussle between the two ladies.
All this, if it happens, will only benefit the men. But the worst case scenario will be if and when there is no woman left in the Bigg Boss 2 den!
Keep watching Bigg Boss 2 on Colors every night at 10 pm IST and join the fun.
The eviction of Payal Rohatgi is bound to change a lot of things in the Bigg Boss 2 House. For one, her equation and alleged affair with Rahul Mahajan was a bone of contention for many. But now that most of the females are out of Bigg Boss 2, the one person who would stand to benefit from this result is Monica Bedi.
Monica has had a Wild Card Entry in the House just a few days back. And now suddenly, Payal is out. In spite of his closeness to Payal, Rahul has openly flirted with all the BB2 women. Having said that, it was evident he had a special place in his heart for Monica. And now that she's back, the game has got murkier.
Is Monica playing a game with Rahul?
Raja Chaudhary too was seen cosying up to Monica after her reentry, as he felt she carried secret information about the Bigg Boss and the housemates.
Meanwhile, the only other female contender left in the House is Diana Hayden. Let's see whether she gels with Monica or not. Diana plays the Ms Goody Two Shoes game with as much ease as Monica. Hence, there's a possibility of a 'I'm nicer than her' tussle between the two ladies.
All this, if it happens, will only benefit the men. But the worst case scenario will be if and when there is no woman left in the Bigg Boss 2 den!
Keep watching Bigg Boss 2 on Colors every night at 10 pm IST and join the fun.
Aamir dismisses SRK's endorsement
'What is Dish TV?' he said at an event
You can't miss Aamir Khan in the Tata Sky TV commercial doing the rounds these days. He's the man-woman crusader – he plays the husband as well as the wife! Continuing his relationship with the direct-to-home Tata Sky Ltd giant, Aamir will also be endorsing the new product from the company, called Tata Sky+.
Speaking on the occasion, Aamir said, "Tata Sky+ is unbelievable. I was watching a live cricket match and there was a phone call, and I could actually pause it and get back to it again."
It is a known fact that in hand phones, Shah Rukh Khan endorses Nokia and Aamir endorses Samsung. In DTH, SRK's the brand ambassador for DishTV. So, is Aamir taking on SRK in the DTH sector as well?
"DishTV? What is that?" is how Aamir dismissed the question and refused any further probing much to everyone's amusement. Aamir had displayed the same attitude when he was appointed the Samsung brand ambassador a few months back. READ ABOUT IT HERE: Aamir says SRK likes to come in second This in a way shows the level of the actor's commitment to the brands he chooses to promote.
And what does he have to say on Amitabh Bachchan's hospitalisation? "I'm in touch with Abhishek regularly and I wish he (Amitabh Bachchan) gets well soon."
On being asked if he chose classy products for endorsement on purpose in keeping with his intelligent image as an actor, Aamir said, "I'm fairly massy as an actor. I choose products based on their quality, what the company stands for and how creative is the advertisement."
On shooting the Isko Lagaa Daala, To Life Jingalala commercial, he said, "It was a very difficult and challenging commercial to do. At the same time, it was great fun."
So, what programmes does Aamir like to watch?
"I like sitcoms – Friends, Seinfeld, and the History Channel. I also like Takeshi's Castle (the show on Pogo). My daughter told me to watch it (smiles)."
The new Tata Sky+ set top box has various unique features – like Live Pause and Live Rewind/Forward. The Record facility is also unique in the sense that it allows one to record one programme while watching the other using the 'two tuner' system. Two programmes can also be recorded twice.
Airtel to enter DTH television market
You can't miss Aamir Khan in the Tata Sky TV commercial doing the rounds these days. He's the man-woman crusader – he plays the husband as well as the wife! Continuing his relationship with the direct-to-home Tata Sky Ltd giant, Aamir will also be endorsing the new product from the company, called Tata Sky+.
Speaking on the occasion, Aamir said, "Tata Sky+ is unbelievable. I was watching a live cricket match and there was a phone call, and I could actually pause it and get back to it again."
It is a known fact that in hand phones, Shah Rukh Khan endorses Nokia and Aamir endorses Samsung. In DTH, SRK's the brand ambassador for DishTV. So, is Aamir taking on SRK in the DTH sector as well?
"DishTV? What is that?" is how Aamir dismissed the question and refused any further probing much to everyone's amusement. Aamir had displayed the same attitude when he was appointed the Samsung brand ambassador a few months back. READ ABOUT IT HERE: Aamir says SRK likes to come in second This in a way shows the level of the actor's commitment to the brands he chooses to promote.
And what does he have to say on Amitabh Bachchan's hospitalisation? "I'm in touch with Abhishek regularly and I wish he (Amitabh Bachchan) gets well soon."
On being asked if he chose classy products for endorsement on purpose in keeping with his intelligent image as an actor, Aamir said, "I'm fairly massy as an actor. I choose products based on their quality, what the company stands for and how creative is the advertisement."
On shooting the Isko Lagaa Daala, To Life Jingalala commercial, he said, "It was a very difficult and challenging commercial to do. At the same time, it was great fun."
So, what programmes does Aamir like to watch?
"I like sitcoms – Friends, Seinfeld, and the History Channel. I also like Takeshi's Castle (the show on Pogo). My daughter told me to watch it (smiles)."
The new Tata Sky+ set top box has various unique features – like Live Pause and Live Rewind/Forward. The Record facility is also unique in the sense that it allows one to record one programme while watching the other using the 'two tuner' system. Two programmes can also be recorded twice.
Airtel to enter DTH television market
'I was determined to win'
Says Harshdeep Kaur, winner of Junoon Kuchh Kar Dikhaane Ka
Harshdeep Kaur won NDTV Imagine's music reality show, Junoon Kuchh Kar Dikhaane Ka, in a rocking grand finale on Saturday night, attended by Amitabh Bachchan and Abhishek Bachchan. She partnered the Sufi Ke Sultan team with Ustad Rahat Fateh Ali Khan, which beat the other two teams – folk-based Maati Ke Lal consisting of Ila Arun and Malini Awasthi, and film-based Bollywood Ke Baadshah with Anand Raj Anand and Abhas Joshi.
Harshdeep is a known face in the music industry in the north, with many albums and shows to her credit. Belonging to a musical family, she has trained in Indian classical and is pursuing the Trinity College degree course in vocal and piano since the past four years. She has also sung in a handful of Hindi films, including Rang De Basanti, Halla Bol, 1971, Karam, Taxi No.9211 and Oops among others.
Even with all that, Harshdeep's still a humble yet bold 21-year-old going after her dreams. Buzz18.com got talking to the young singer on her triumph despite the odds….
Were you confident of winning Junoon…?
I was pretty confident. But then again, the competition was tough.
What does this mean to you?
It means a lot to me. I have always believed in the motto, 'Be yourself' – whether in life or on the show. I always tried to use a lot of versatility in Junoon…. Even though the judges discouraged me sometimes, I didn't give up. I was determined to win it.
Post Junoon…, do you fear being bracketed as a Sufi singer?
No. I have earned a lot of respect from the audience as a Sufi singer. It's a genre, which is lyrically very rich. And my outfit and look added to it. I feel it was the right platform for me. Also, if I take Sufi words and sing it like rock, it will work. Take the example of Kailash Kher's Allah Ke Bande as an example. If I'm bracketed as a Sufi singer, it will give me a different identity, which could work for me.
Did Amitabh Bachchan or Abhishek say anything special to you after winning?
Well, Amitabh said that he liked Sufi and folk music the most. It was good to hear that!
Buzz18 Live: Himesh rocks in Karzzzz
Next Page: Harshdeep sings with Himesh for Karzzzz
__PAGEBREAK__Your number Ik Onkar in Rang De Basanti was much appreciated. What are the new films in your kitty?
My latest is the Karzzzz title song with Himesh Reshammiya, called Loot Jaoon. I'm also singing two songs for Himesh's next with Pooja Bhatt, a film called Kajra Re.
What is your opinion on Himesh as a singer?
He's a better composer, I feel.
You had won the MTV Video Gaga contest at the age of 14 amongst 10,000 participants. How does it feel to be on top again?
It sure feels good. I have won a one-year contract with Times and Junglee Music, and a Hyundai i10 car!
Why do reality show winners need to compete in a contest again? Abhijit Sawant also did it in Jo Jeeta Wohi Superstar....
It's because, jo dikhta hai, woh bikta hai. Out of sight is out of mind. Today, a singer needs to be seen as well as heard. Also, participating again gives the deserving ones who didn't win before, a chance – like Rahul Vaidya.
Rahul Vaidya has been your friend for a long time. Any enemies or people you think of as competition?
Rahul was a participant with me on one of the shows. Well, there's no competition as such, as music directors today know who has got what talent – and they call you accordingly.
What are your future plans? We heard you're doing a film?
Yes, apart from singing, I'm considering a Punjabi film where I'll play the lead. But I have not read the script as yet.
I was sure I would not win: Sawant | Hrithik spreads goodwill for Junoon...
Harshdeep Kaur won NDTV Imagine's music reality show, Junoon Kuchh Kar Dikhaane Ka, in a rocking grand finale on Saturday night, attended by Amitabh Bachchan and Abhishek Bachchan. She partnered the Sufi Ke Sultan team with Ustad Rahat Fateh Ali Khan, which beat the other two teams – folk-based Maati Ke Lal consisting of Ila Arun and Malini Awasthi, and film-based Bollywood Ke Baadshah with Anand Raj Anand and Abhas Joshi.
Harshdeep is a known face in the music industry in the north, with many albums and shows to her credit. Belonging to a musical family, she has trained in Indian classical and is pursuing the Trinity College degree course in vocal and piano since the past four years. She has also sung in a handful of Hindi films, including Rang De Basanti, Halla Bol, 1971, Karam, Taxi No.9211 and Oops among others.
Even with all that, Harshdeep's still a humble yet bold 21-year-old going after her dreams. Buzz18.com got talking to the young singer on her triumph despite the odds….
Were you confident of winning Junoon…?
I was pretty confident. But then again, the competition was tough.
What does this mean to you?
It means a lot to me. I have always believed in the motto, 'Be yourself' – whether in life or on the show. I always tried to use a lot of versatility in Junoon…. Even though the judges discouraged me sometimes, I didn't give up. I was determined to win it.
Post Junoon…, do you fear being bracketed as a Sufi singer?
No. I have earned a lot of respect from the audience as a Sufi singer. It's a genre, which is lyrically very rich. And my outfit and look added to it. I feel it was the right platform for me. Also, if I take Sufi words and sing it like rock, it will work. Take the example of Kailash Kher's Allah Ke Bande as an example. If I'm bracketed as a Sufi singer, it will give me a different identity, which could work for me.
Did Amitabh Bachchan or Abhishek say anything special to you after winning?
Well, Amitabh said that he liked Sufi and folk music the most. It was good to hear that!
Buzz18 Live: Himesh rocks in Karzzzz
Next Page: Harshdeep sings with Himesh for Karzzzz
__PAGEBREAK__Your number Ik Onkar in Rang De Basanti was much appreciated. What are the new films in your kitty?
My latest is the Karzzzz title song with Himesh Reshammiya, called Loot Jaoon. I'm also singing two songs for Himesh's next with Pooja Bhatt, a film called Kajra Re.
What is your opinion on Himesh as a singer?
He's a better composer, I feel.
You had won the MTV Video Gaga contest at the age of 14 amongst 10,000 participants. How does it feel to be on top again?
It sure feels good. I have won a one-year contract with Times and Junglee Music, and a Hyundai i10 car!
Why do reality show winners need to compete in a contest again? Abhijit Sawant also did it in Jo Jeeta Wohi Superstar....
It's because, jo dikhta hai, woh bikta hai. Out of sight is out of mind. Today, a singer needs to be seen as well as heard. Also, participating again gives the deserving ones who didn't win before, a chance – like Rahul Vaidya.
Rahul Vaidya has been your friend for a long time. Any enemies or people you think of as competition?
Rahul was a participant with me on one of the shows. Well, there's no competition as such, as music directors today know who has got what talent – and they call you accordingly.
What are your future plans? We heard you're doing a film?
Yes, apart from singing, I'm considering a Punjabi film where I'll play the lead. But I have not read the script as yet.
I was sure I would not win: Sawant | Hrithik spreads goodwill for Junoon...
Tata Sky+ gears up for Airtel, BIG TV
In conversation with Vikram Kaushik, MD and CEO, Tata Sky Ltd
Although not the first to enter the market, direct-to-home provider Tata Sky Ltd has easily taken the leadership position. What's more, it's getting bigger with better plans, and its newest offering – Tata Sky+. We talked to Vikram Kaushik, MD and CEO, Tata Sky Ltd to know more about the latest product.
What is the value add in Tata Sky+?
We're offering a high quality, sophisticated set top box with a Personal Video Recorder (PVR) which has the Live Pause, Rewind and Record options. The Live Pause function works like a time machine. For example, if you're watching a live match or news, and the doorbell rings, you can actually pause it. Better still, you can rewind it! The box supports MPEG 4. [MUST READ: Aamir dismisses SRK's endorsement] The other features include the two tuner, which allows you to record one programme while watching the other. The box can record up to 45 hours. Also, we will have more interactive services. There will be more special features like 24x7 darshan of leading temples of India, and a 24x7 matrimonial service in collaboration with Bharatmatrimony.com. We will also offer high-definition channels and more regional ones.
With Tata Sky+, is your company gearing up to meet the challenge of Airtel?
They are the ones who are new and every new company is welcome as it leads to category development. As a result, the consumer stands to gain and will get better deals and services.
But competition is increasing. BIG TV is also entering the market…
We are confident as we have access to the best technology from Sky, and the best backend support from TCS.
What is your plan for the long run? Do you plan to stay on as a premium brand with these companies coming in?
The ability to maintain one's number one position depends on the brand's strength. As of October 2008, we have a subscriber base of 2.7 million in India. By 2012, we are targeting eight million. If pricing becomes an issue, we will not hesitate to lower our price. But at the same time, we're not a discount brand. The cheapest is not always the best. I would say, we've created the benchmark.
At Rs 8,999, isn't the price a little on the steeper side?
For the kind of technology we're offering, no. And for existing subscribers, we've a special scheme for upgradation. Also, the subscription cost remains as low as it is now. At the end of it, you won't be able to imagine life without it.
How much has been your investment in the business?
Until now, we have invested Rs 2,000 crore and our overall investment will exceed Rs 4,000 crore in the years to come.
15-10-2008 15:09:15
Although not the first to enter the market, direct-to-home provider Tata Sky Ltd has easily taken the leadership position. What's more, it's getting bigger with better plans, and its newest offering – Tata Sky+. We talked to Vikram Kaushik, MD and CEO, Tata Sky Ltd to know more about the latest product.
What is the value add in Tata Sky+?
We're offering a high quality, sophisticated set top box with a Personal Video Recorder (PVR) which has the Live Pause, Rewind and Record options. The Live Pause function works like a time machine. For example, if you're watching a live match or news, and the doorbell rings, you can actually pause it. Better still, you can rewind it! The box supports MPEG 4. [MUST READ: Aamir dismisses SRK's endorsement] The other features include the two tuner, which allows you to record one programme while watching the other. The box can record up to 45 hours. Also, we will have more interactive services. There will be more special features like 24x7 darshan of leading temples of India, and a 24x7 matrimonial service in collaboration with Bharatmatrimony.com. We will also offer high-definition channels and more regional ones.
With Tata Sky+, is your company gearing up to meet the challenge of Airtel?
They are the ones who are new and every new company is welcome as it leads to category development. As a result, the consumer stands to gain and will get better deals and services.
But competition is increasing. BIG TV is also entering the market…
We are confident as we have access to the best technology from Sky, and the best backend support from TCS.
What is your plan for the long run? Do you plan to stay on as a premium brand with these companies coming in?
The ability to maintain one's number one position depends on the brand's strength. As of October 2008, we have a subscriber base of 2.7 million in India. By 2012, we are targeting eight million. If pricing becomes an issue, we will not hesitate to lower our price. But at the same time, we're not a discount brand. The cheapest is not always the best. I would say, we've created the benchmark.
At Rs 8,999, isn't the price a little on the steeper side?
For the kind of technology we're offering, no. And for existing subscribers, we've a special scheme for upgradation. Also, the subscription cost remains as low as it is now. At the end of it, you won't be able to imagine life without it.
How much has been your investment in the business?
Until now, we have invested Rs 2,000 crore and our overall investment will exceed Rs 4,000 crore in the years to come.
15-10-2008 15:09:15
'There's nothing bold in Fashion'
Priyanka Chopra speaks out before the release of her film
Priyanka has been appointed the brand ambassador for the osteoporosis prevention initiative by Femina magazine and The Clinic.
Although her last three films – Love Story 2050, Chamku and Drona – vanished without a trace, Priyanka seems confident about her next two releases, Madhur Bhandarkar's Fashion and Karan Johar's Dostana.
Priyanka said, "So what if those films didn't do well? I always like to pick different roles, and it's great to be a part of such pathbreaking cinema as Love Story 2050 and Drona in spite of its fate at the box-office. And it's not necessary that Fashion and Dostana will have the same fate."
So, did she identify with her role in Fashion, having been Femina Miss India and then Miss World?
"No. In fact, I had to learn ramp walk for Fashion, as I hadn't been modelling as such."
FRESH LOOK: Priyanka in Fashion
What does she have to say on the Censor Board's decision to give Fashion an 'A' certificate?
To which Priyanka replied very diplomatically, "The Censor Board must be right in what they have decided. But there's nothing bold in Fashion. There are no steamy scenes. Yes, it is a hard-hitting and dark film, but there is no exposing and stuff happening in it."
Commenting on her being brand ambassador for Femina, she said, "I have been associated with Femina since I was 17. They have groomed me. So, when they approached me for this, I wanted to support the cause. I belong to a doctors' family, and so I know how important prevention is as regards to cure."
Kangana dubs in style for Fashion
Mugdha: 'Gay men make the best friends'
Priyanka has been appointed the brand ambassador for the osteoporosis prevention initiative by Femina magazine and The Clinic.
Although her last three films – Love Story 2050, Chamku and Drona – vanished without a trace, Priyanka seems confident about her next two releases, Madhur Bhandarkar's Fashion and Karan Johar's Dostana.
Priyanka said, "So what if those films didn't do well? I always like to pick different roles, and it's great to be a part of such pathbreaking cinema as Love Story 2050 and Drona in spite of its fate at the box-office. And it's not necessary that Fashion and Dostana will have the same fate."
So, did she identify with her role in Fashion, having been Femina Miss India and then Miss World?
"No. In fact, I had to learn ramp walk for Fashion, as I hadn't been modelling as such."
FRESH LOOK: Priyanka in Fashion
What does she have to say on the Censor Board's decision to give Fashion an 'A' certificate?
To which Priyanka replied very diplomatically, "The Censor Board must be right in what they have decided. But there's nothing bold in Fashion. There are no steamy scenes. Yes, it is a hard-hitting and dark film, but there is no exposing and stuff happening in it."
Commenting on her being brand ambassador for Femina, she said, "I have been associated with Femina since I was 17. They have groomed me. So, when they approached me for this, I wanted to support the cause. I belong to a doctors' family, and so I know how important prevention is as regards to cure."
Kangana dubs in style for Fashion
Mugdha: 'Gay men make the best friends'
'Priyanka made me comfortable'
Arjan Bajwa tells all about the steamy sequence with Priyanka in Fashion
Arjan Bajwa is one of the latest hunks to hit planet Bollywood, and what an entry! After making a Hindi film debut in Woh Tera Naa Tha, Arjan Bajwa chose to lie low before bouncing back in Guru. Now he will be seen in Madhur Bhandarkar's much-hyped Fashion. Here he is in a no-holds-barred interview...
Tell us something about your role in Fashion?
I play Manav, an aspiring fashion model. He's the only character in the film who doesn't have a crooked side to him. He does not like shortcuts to fame.
What in the role attracted you, then?
It was the whole film that appealed to me, something about fashion and glamour. Manav is a guy who believes in himself, and not just a wannabe. He's a very deep thinker and not frivolous.
You've been a model before. How has that helped you in this role?
It helped me to get into the skin of the character, you know, dressing up and walking the ramp. I feel anybody can look the part, but everyone can't enact it.
Have you had any real-life experiences as a model that you didn't like?
Sometimes, you are told something and the commercial shoot turns out to be something else. Many a times you go through things like people not liking your endorsing certain products, especially the people in authority. Some of them behave strangely and call arrogant for having hit it big. My question is, why are only models and actors treated like that? Don't people from other professions make it big? Look at the kind of hard work we have to put in.
So, do you agree with what director Madhur Bhandarkar has portrayed in Fashion?
Yeah, Fashion is a story as per real life. The situations are all real.
What is the one thing you have learnt from Madhur?
Oh, I can work with him many times. He's so relaxed – I felt like going to the sets everyday and have a conversation with him. He's very comforting.
Priyanka: 'There's nothing bold in Fashion'
Next Page: The steamy scene with Priyanka
__PAGEBREAK__What do you think about the Censor Board's objections to a steamy scene in the film?
It's pretty strange that they had a problem. It was a part of the story. It's a lovemaking scene between people in love, so it's okay. But then, who can challenge the Censor Board?
Were you comfortable doing the scene with Priyanka Chopra?
I was made comfortable by Priyanka Chopra. I was apprehensive as she's a big star, and also because of my lack of experience in doing such scenes. But she's a thorough professional.
Do you think if the scene is chopped off, it will affect the film?
No. These things always happen. The film should work and not just a character. It's the director's vision.
What's your opinion on Priyanka as an actor? Did she pay you a compliment?
I'm amazed by her energy levels! She's a hardworking girl and never complained. You know, for a girl, she could've cribbed. And yes, she sent me a message saying, 'You are a very fine actor'. If someone who's worked with Salman Khan, Akshay Kumar, Shah Rukh Khan and Hrithik Roshan said that, I think that's cool.
Did the Punjabi connection work with Priyanka? Is she your favourite co-star?
I don't believe in that. But I did pick up a lot of Marathi because of Madhur. She's definitely my favourite since I've had the longest part with her till now.
READ: 'We were never a couple'
Next Page: Arjan's fav fashion designers
__PAGEBREAK__What about shooting with the other females in Fashion?
I did not have much to do with Kangana and I was cordial with her. And Mugdha was a friend from before.
Who are your favourite fashion designers?
I haven't done too much ramp. I like Narendra Kumar Ahmed, he's a sweet guy. I also like Rohit Bal, and Shane and Falguni Peacock for whom I've walked the ramp.
What are your expectations from Fashion?
That my work should be appreciated like earlier. If the film becomes a hit, it'll take it further.
What kind of roles do you want to do?
Action films. But I want to be known as a good actor. But my fans want to see me in more aggressive roles like Guru.
What are your forthcoming films?
I'm considering two solo hero films – not yet signed. And there is one big multi-starrer action film. I can't reveal much.
READ: Arjan receives great offers
Arjan Bajwa is one of the latest hunks to hit planet Bollywood, and what an entry! After making a Hindi film debut in Woh Tera Naa Tha, Arjan Bajwa chose to lie low before bouncing back in Guru. Now he will be seen in Madhur Bhandarkar's much-hyped Fashion. Here he is in a no-holds-barred interview...
Tell us something about your role in Fashion?
I play Manav, an aspiring fashion model. He's the only character in the film who doesn't have a crooked side to him. He does not like shortcuts to fame.
What in the role attracted you, then?
It was the whole film that appealed to me, something about fashion and glamour. Manav is a guy who believes in himself, and not just a wannabe. He's a very deep thinker and not frivolous.
You've been a model before. How has that helped you in this role?
It helped me to get into the skin of the character, you know, dressing up and walking the ramp. I feel anybody can look the part, but everyone can't enact it.
Have you had any real-life experiences as a model that you didn't like?
Sometimes, you are told something and the commercial shoot turns out to be something else. Many a times you go through things like people not liking your endorsing certain products, especially the people in authority. Some of them behave strangely and call arrogant for having hit it big. My question is, why are only models and actors treated like that? Don't people from other professions make it big? Look at the kind of hard work we have to put in.
So, do you agree with what director Madhur Bhandarkar has portrayed in Fashion?
Yeah, Fashion is a story as per real life. The situations are all real.
What is the one thing you have learnt from Madhur?
Oh, I can work with him many times. He's so relaxed – I felt like going to the sets everyday and have a conversation with him. He's very comforting.
Priyanka: 'There's nothing bold in Fashion'
Next Page: The steamy scene with Priyanka
__PAGEBREAK__What do you think about the Censor Board's objections to a steamy scene in the film?
It's pretty strange that they had a problem. It was a part of the story. It's a lovemaking scene between people in love, so it's okay. But then, who can challenge the Censor Board?
Were you comfortable doing the scene with Priyanka Chopra?
I was made comfortable by Priyanka Chopra. I was apprehensive as she's a big star, and also because of my lack of experience in doing such scenes. But she's a thorough professional.
Do you think if the scene is chopped off, it will affect the film?
No. These things always happen. The film should work and not just a character. It's the director's vision.
What's your opinion on Priyanka as an actor? Did she pay you a compliment?
I'm amazed by her energy levels! She's a hardworking girl and never complained. You know, for a girl, she could've cribbed. And yes, she sent me a message saying, 'You are a very fine actor'. If someone who's worked with Salman Khan, Akshay Kumar, Shah Rukh Khan and Hrithik Roshan said that, I think that's cool.
Did the Punjabi connection work with Priyanka? Is she your favourite co-star?
I don't believe in that. But I did pick up a lot of Marathi because of Madhur. She's definitely my favourite since I've had the longest part with her till now.
READ: 'We were never a couple'
Next Page: Arjan's fav fashion designers
__PAGEBREAK__What about shooting with the other females in Fashion?
I did not have much to do with Kangana and I was cordial with her. And Mugdha was a friend from before.
Who are your favourite fashion designers?
I haven't done too much ramp. I like Narendra Kumar Ahmed, he's a sweet guy. I also like Rohit Bal, and Shane and Falguni Peacock for whom I've walked the ramp.
What are your expectations from Fashion?
That my work should be appreciated like earlier. If the film becomes a hit, it'll take it further.
What kind of roles do you want to do?
Action films. But I want to be known as a good actor. But my fans want to see me in more aggressive roles like Guru.
What are your forthcoming films?
I'm considering two solo hero films – not yet signed. And there is one big multi-starrer action film. I can't reveal much.
READ: Arjan receives great offers
Shobhaa De: I agree with Raj Thackeray
Said Shobhaa De during her album launch
At 60 years, author, designer, scriptwriter, firebrand speaker, Shobhaa De continues to surprise us with her oeuvre. She also regularly brings forth issues in her columns and interviews. Buzz18 spoke to her on her latest experiment – a music album based on her book Superstar India, and also her recent comments on Raj Thackeray. Excerpts…
Tell us something about your book Superstar India.
It was launched in April 2008 and got a good response in the country. It's the story of independent India and me – a parallel journey, as we (the country and Shobhaa) are both of the same age, 60. I have seen India change. And that's why I say in the album, 'I am the change'. I've lived that change.
How did you think of a music album as an extension to your book?
You know, from the time I wrote the book, I felt it was incomplete – the words needed music. I wanted the mood and the essence of the book to be expressed through music. So, the album, The Music of Superstar India, came about. I have come a full circle with it; it was like a new raga for me.
What kind of music forms the album?
I felt there are many folk musicians and singers from places like Rajasthan and West Bengal who are never heard. So, I have tried to have a mix of folk with the contemporary forms of jazz, rock, dance, and trance. Also, if you can relate to a Kajra Re, you can relate to this album. Kaushik Roy of Reliance Ltd (also the director of Apna Asmaan) has really helped me in this endeavour. He introduced me to the young musicians Neil and Miti Adhikari (MANA) who've done the score.
How was the experience doing the music video?
The camera had never left me – I was pretty comfortable. We shot it on a turbulent monsoon morning, and it was quite an experience.
You belong to the modelling industry and also the Fourth Estate. Are you looking forward to seeing the film Fashion, or you think it's hogwash?
I'm not a Madhur fan. He always has an outsider's perspective. Whatever he shows, I take it with a bagful of salt!
WATCH VIDEO: Shobhaa De's Superstar India
Next Page: Shobhaa clarifies on her Raj Thackeray statements
__PAGEBREAK__Do you stand by your statements on Raj Thackeray in your interview with Karan Thapar on Devil's Advocate on CNN-IBN?
All I said was that, it's a democracy and Raj Thackeray has a right to voice his opinion. In his public meetings, he speaks in Marathi and the English media misinterprets him.
But you do agree with the issues he's brought forth, don't you?
I agree with some of Raj's issues. That does not mean that I agree with the violence, and I've told him that. I feel the Maharashtrians have to get a little more aggressive and daring. Why don't they go and work in Punjab or Karnataka? Who's stopping them? At the same time, it's not happening that people from other states are pasting provocative statements on the walls. Will this have been tolerated in any other state? Why are they targeting Mumbai? It's because there's money here.
A book, a music album and video, are you doing a film based on the subject now? Any other scripts you are writing?
I'd love to see the book on screen. Well, I feel this is the right time to experiment in films, as my subjects will be accepted more today than 10 years ago thanks to the urban, multiplex-going audience. But I don't have any scripts ready. In the future, I will definitely do something.
What is your message through The Music of Superstar India?
India is changing rapidly. Today's 20- or 30-year-olds are seeing a better India, but what is missing is the pride. Through this album, I want to bring about that sense of pride in the nation.
READ: Shobhaa De comes alive on screen | Mahima-Shobhaa share a cause
At 60 years, author, designer, scriptwriter, firebrand speaker, Shobhaa De continues to surprise us with her oeuvre. She also regularly brings forth issues in her columns and interviews. Buzz18 spoke to her on her latest experiment – a music album based on her book Superstar India, and also her recent comments on Raj Thackeray. Excerpts…
Tell us something about your book Superstar India.
It was launched in April 2008 and got a good response in the country. It's the story of independent India and me – a parallel journey, as we (the country and Shobhaa) are both of the same age, 60. I have seen India change. And that's why I say in the album, 'I am the change'. I've lived that change.
How did you think of a music album as an extension to your book?
You know, from the time I wrote the book, I felt it was incomplete – the words needed music. I wanted the mood and the essence of the book to be expressed through music. So, the album, The Music of Superstar India, came about. I have come a full circle with it; it was like a new raga for me.
What kind of music forms the album?
I felt there are many folk musicians and singers from places like Rajasthan and West Bengal who are never heard. So, I have tried to have a mix of folk with the contemporary forms of jazz, rock, dance, and trance. Also, if you can relate to a Kajra Re, you can relate to this album. Kaushik Roy of Reliance Ltd (also the director of Apna Asmaan) has really helped me in this endeavour. He introduced me to the young musicians Neil and Miti Adhikari (MANA) who've done the score.
How was the experience doing the music video?
The camera had never left me – I was pretty comfortable. We shot it on a turbulent monsoon morning, and it was quite an experience.
You belong to the modelling industry and also the Fourth Estate. Are you looking forward to seeing the film Fashion, or you think it's hogwash?
I'm not a Madhur fan. He always has an outsider's perspective. Whatever he shows, I take it with a bagful of salt!
WATCH VIDEO: Shobhaa De's Superstar India
Next Page: Shobhaa clarifies on her Raj Thackeray statements
__PAGEBREAK__Do you stand by your statements on Raj Thackeray in your interview with Karan Thapar on Devil's Advocate on CNN-IBN?
All I said was that, it's a democracy and Raj Thackeray has a right to voice his opinion. In his public meetings, he speaks in Marathi and the English media misinterprets him.
But you do agree with the issues he's brought forth, don't you?
I agree with some of Raj's issues. That does not mean that I agree with the violence, and I've told him that. I feel the Maharashtrians have to get a little more aggressive and daring. Why don't they go and work in Punjab or Karnataka? Who's stopping them? At the same time, it's not happening that people from other states are pasting provocative statements on the walls. Will this have been tolerated in any other state? Why are they targeting Mumbai? It's because there's money here.
A book, a music album and video, are you doing a film based on the subject now? Any other scripts you are writing?
I'd love to see the book on screen. Well, I feel this is the right time to experiment in films, as my subjects will be accepted more today than 10 years ago thanks to the urban, multiplex-going audience. But I don't have any scripts ready. In the future, I will definitely do something.
What is your message through The Music of Superstar India?
India is changing rapidly. Today's 20- or 30-year-olds are seeing a better India, but what is missing is the pride. Through this album, I want to bring about that sense of pride in the nation.
READ: Shobhaa De comes alive on screen | Mahima-Shobhaa share a cause
Rahul exits, Ashutosh breaks down
Mahajan's exit was the last straw for BB2 housemates
On Tuesday night's episode, Rahul Mahajan was out of Bigg Boss 2 for not apologising to the Boss for jumping off the wall and escaping from the House.
When new guests (school kids) arrived in the House, for a while it seemed that everything was all right in the House. But not quite.
Raja Chaudhary, Zulfi Syed and Ashutosh Kaushik had accepted their mistake in front of Bigg Boss, but Rahul refused to do so when he was called in the confession room.
Bigg Boss then called all four of them in the room, and Rahul expressed his desire to leave the House. He said he didn't need the prize money and was happy to go rather than apologise for his act. Bigg Boss gave Rahul, the most popular housemate for viewers, three chances to decide what he wanted to do. But he chose to go.
Raja tried to argue with the Boss, saying Rahul taking the responsibility for their act will not be right for the other housemates. But he was cut short by Bigg Boss' commanding voice and all four of them were asked to leave the confession room.
Rahul's final exit tested the restraint of the remaining housemates. They couldn't believe what was happening! While Raja's eyes were moist, Zulfi – a strong contender to win the game – remained calm.
It was the MTV Roadies winner Ashutosh Kaushik who broke down completely. He had to be dragged in by Raja inside the House. Ashu continued to cry while he was washing his face.
Voting lines are now open on Bigg Boss 2 for the JUMBO FINALE on November 21, 2008. To enter the Kaun Jeetega Bigg Boss contest, please click here.
On Tuesday night's episode, Rahul Mahajan was out of Bigg Boss 2 for not apologising to the Boss for jumping off the wall and escaping from the House.
When new guests (school kids) arrived in the House, for a while it seemed that everything was all right in the House. But not quite.
Raja Chaudhary, Zulfi Syed and Ashutosh Kaushik had accepted their mistake in front of Bigg Boss, but Rahul refused to do so when he was called in the confession room.
Bigg Boss then called all four of them in the room, and Rahul expressed his desire to leave the House. He said he didn't need the prize money and was happy to go rather than apologise for his act. Bigg Boss gave Rahul, the most popular housemate for viewers, three chances to decide what he wanted to do. But he chose to go.
Raja tried to argue with the Boss, saying Rahul taking the responsibility for their act will not be right for the other housemates. But he was cut short by Bigg Boss' commanding voice and all four of them were asked to leave the confession room.
Rahul's final exit tested the restraint of the remaining housemates. They couldn't believe what was happening! While Raja's eyes were moist, Zulfi – a strong contender to win the game – remained calm.
It was the MTV Roadies winner Ashutosh Kaushik who broke down completely. He had to be dragged in by Raja inside the House. Ashu continued to cry while he was washing his face.
Voting lines are now open on Bigg Boss 2 for the JUMBO FINALE on November 21, 2008. To enter the Kaun Jeetega Bigg Boss contest, please click here.
'Who wouldn't like to work with SRK?'
Asks Sada, the heroine of Khall Balli
After Amrita Rao in My Name Is Anthony Gonsalves, it's southern sensation Sada who will romance Nikhil Dwivedi in the film Khall Balli. The actress has delivered many hits in Tamil and Telugu, and is now making her Hindi debut. We spoke to her on her experience doing just that....
What is your role in the Khalbali?
I play a jewellery designer called Sheetal. In the first scene in the film, she lands in chaos and confusion. It's the case of mistaken identity, where the hero (Nikhil Dwivedi) approves Sheetal for marriage, taking her for the girl he's come to 'see'. The other girl's parents happen to be goons. This gives rise to circumstances beyond control.
How were you approached for a Hindi film?
The director Ajay Chandok knew me from before. Down south, I've never done a comedy. And so, I quickly said yes to him. Khall Balli, incidentally, is a remake of a Telugu film. I've done films in Tamil and Telugu, three with Madhavan as the hero. I've done films with the director Shankar. But I really wanted to work in Hindi, as it's my mother tongue.
Do you think comedies will make a comeback in Hindi cinema this year?
This genre can never die. Khall Balli is a very clean comedy for a family audience. There are no double-meaning dialogues, only situations that evoke laughter.
MUSIC REVIEW: Khall Balli
Next Page: Sada on Nikhil Dwivedi
__PAGEBREAK__As a debutante, what scope does your role have in the film?
Frankly, role-wise, I do not have much screen time. But the character has its significance, as the film's situation revolves around it.
What is the difference between working in the south and Hindi films?
I had heard, it takes a lot of time to complete a film in Bollywood. But I found that people in Mumbai are equally professional and on time. Both industries are good.
How was it working with Nikhil Dwivedi? Any favourite scene with him?
I found Nikhil to be dedicated and hardworking. He puts in that extra effort. We weren't talking initially. It took us one schedule to break the ice. The first scene in the film, where the miscommunication happens is my favourite.
Were you nervous in you Hindi debut?
I was nervous in south, as I didn't know the language. But I was very comfortable in Hindi.
You've given many Tamil hits, and worked with good actors there. Which Bollywood co-stars are on you wish list?
All of them, actually. But Hrithik has been my favourite. And who wouldn't want to work with SRK?
1st LOOK: Khall Balli
Next Page: Sada's doing a film with Shreyas Talpade
__PAGEBREAK__How do you approach a role? What is your method of acting?
It depends on the role. If I have to build a character different from the real me, I change my body language and diction. But if I have to be myself, then it's fine. Like in the south, I had to play a village belle and it was hard. But in Khall Balli, I play a city girl, who's like Sada.
Are there any more Hindi films in the pipeline?
Yes, one with Shreyas Talpade, directed Sangeeth Sivan, called Click. It's a supernatural thriller.
From comedy to the supernatural….
Yes, and I was doing two supernatural flicks simultaneously. The other one was with Madhavan. It was quite spooky!
How is Shreyas Talpade as a co-star? Did you get any tips from him?
Shreyas is a sweetheart to work with. He's still grounded. Spontaneity is his virtue. He brings out that extra something only in the take, not in the rehearsals. I feel, acting or sharing screen space is a give and take. With Shreyas, it works beautifully for me.
Thank you very much for talking to us and all the best.
Thank you!
MORE PICS: Khall Balli
After Amrita Rao in My Name Is Anthony Gonsalves, it's southern sensation Sada who will romance Nikhil Dwivedi in the film Khall Balli. The actress has delivered many hits in Tamil and Telugu, and is now making her Hindi debut. We spoke to her on her experience doing just that....
What is your role in the Khalbali?
I play a jewellery designer called Sheetal. In the first scene in the film, she lands in chaos and confusion. It's the case of mistaken identity, where the hero (Nikhil Dwivedi) approves Sheetal for marriage, taking her for the girl he's come to 'see'. The other girl's parents happen to be goons. This gives rise to circumstances beyond control.
How were you approached for a Hindi film?
The director Ajay Chandok knew me from before. Down south, I've never done a comedy. And so, I quickly said yes to him. Khall Balli, incidentally, is a remake of a Telugu film. I've done films in Tamil and Telugu, three with Madhavan as the hero. I've done films with the director Shankar. But I really wanted to work in Hindi, as it's my mother tongue.
Do you think comedies will make a comeback in Hindi cinema this year?
This genre can never die. Khall Balli is a very clean comedy for a family audience. There are no double-meaning dialogues, only situations that evoke laughter.
MUSIC REVIEW: Khall Balli
Next Page: Sada on Nikhil Dwivedi
__PAGEBREAK__As a debutante, what scope does your role have in the film?
Frankly, role-wise, I do not have much screen time. But the character has its significance, as the film's situation revolves around it.
What is the difference between working in the south and Hindi films?
I had heard, it takes a lot of time to complete a film in Bollywood. But I found that people in Mumbai are equally professional and on time. Both industries are good.
How was it working with Nikhil Dwivedi? Any favourite scene with him?
I found Nikhil to be dedicated and hardworking. He puts in that extra effort. We weren't talking initially. It took us one schedule to break the ice. The first scene in the film, where the miscommunication happens is my favourite.
Were you nervous in you Hindi debut?
I was nervous in south, as I didn't know the language. But I was very comfortable in Hindi.
You've given many Tamil hits, and worked with good actors there. Which Bollywood co-stars are on you wish list?
All of them, actually. But Hrithik has been my favourite. And who wouldn't want to work with SRK?
1st LOOK: Khall Balli
Next Page: Sada's doing a film with Shreyas Talpade
__PAGEBREAK__How do you approach a role? What is your method of acting?
It depends on the role. If I have to build a character different from the real me, I change my body language and diction. But if I have to be myself, then it's fine. Like in the south, I had to play a village belle and it was hard. But in Khall Balli, I play a city girl, who's like Sada.
Are there any more Hindi films in the pipeline?
Yes, one with Shreyas Talpade, directed Sangeeth Sivan, called Click. It's a supernatural thriller.
From comedy to the supernatural….
Yes, and I was doing two supernatural flicks simultaneously. The other one was with Madhavan. It was quite spooky!
How is Shreyas Talpade as a co-star? Did you get any tips from him?
Shreyas is a sweetheart to work with. He's still grounded. Spontaneity is his virtue. He brings out that extra something only in the take, not in the rehearsals. I feel, acting or sharing screen space is a give and take. With Shreyas, it works beautifully for me.
Thank you very much for talking to us and all the best.
Thank you!
MORE PICS: Khall Balli
Mandira Bedi ragged me: Eijaz Khan
The Meerabai Not Out actor talks about fun on the sets
Eijaz Khan has come a long way – from the Chlormint commercial to Balaji Telefilms to Pritish Nandy Communications' cricket-based film, Meerabai Not out. We spoke to the actor, who's in no rush for success and wants to play his cards right. Excerpts...
From commercials to TV to movies, how has the journey been?
It's been a roller-coaster ride. Before ads, I used to do professional dancing in live shows with people like Astad Deboo, Ganesh Hegde, Santosh Shetty among others. That's when somebody spotted me and I auditioned for my first commercial. And then, after a music video, one thing lead to another and I was offered Balaji Telefilms' Kulvadhu. That show did not take off, but I went on to do Kahiin To Hoga, Kesar, Kkoi Dill Mein Hai, Kkusum, Kkavyanjali and Kyaa Hoga Nimmo Kaa.
How did you get Meerabai Not Out?
Rangita (Pritish Nandy's daughter) saw me in Kkavyanjali, after which I did a cameo in Just Married. Then I heard the script of Meerabai… and agreed to do it. I'm doing another film, Arindam Mitra's Kiss Kiss Bang Bang. And there's also Dharmesh Darshan's Bhanvraa.
Do you like cricket?
I hardly watch it. I'm more of a soccer, basketball and hockey man. But my ignorance of cricket helped in the film, when I had to bowl to Mahesh Manjrekar. My character in the film does not follow cricket.
Your character is also someone who's lost his mother. Did you identify with it?
Completely. In real life too, with no mom at home, my father's taken care of me and been my friend. It just makes you realise how much they've done for you.
VIDEO: Mandira's noodle straps are back
Next Page: 'Mandira ragged me'
__PAGEBREAK__How was it working with Mandira Bedi? Did you talk to her about her cricket experiences?
Mandira is a senior and bullied me, ragged me. But after sometime, I gave it back (laughs). Her character in the film is so sweet – you'll fall in love with her. But she's a boisterous Sardarni in real life – exactly the opposite. Well, we used to talk cricket all the time. In fact, I've observed that anybody who meets her, starts talking about cricket!
And the recently retired cricketer Anil Kumble?
He's a towering personality. He's a cool guy with a wicked sense of humour. He was pleasant in front of the camera and not stressed at all.
What about director Chandrakant Kulkarni?
He's a stalwart of Marathi cinema. He really guided me, especially since we were using synch sound.
Are you doing any films with Ekta Kapoor?
No. We met recently. She's a friend and I never thought of making a film with her.
And no plans of returning to TV?
I'm being offered every reality show. But I cannot commit for six months or a year. Otherwise, for me, there's no difference between film and TV. Except that there's more pressure in TV.
MANDIRA: 'Yash Raj doesn't know what to do with me'
What does it take to make it big in films?
Hard work always shows. I want to be known as a decent actor and work with the right people.
How do you rate your TV colleagues like Rajeev Khandelwal, Shabbir Ahluwalia and Rohit Roy in their movies?
They're all very good. Rajeev, in fact, is my teacher. He helped me a lot in Kahiin To Hoga.
What about marriage with Anita Hassanandani?
Nobody wants to marry me (laughs). Marriage can wait. I'm not talking about it right now.
Eijaz Khan has come a long way – from the Chlormint commercial to Balaji Telefilms to Pritish Nandy Communications' cricket-based film, Meerabai Not out. We spoke to the actor, who's in no rush for success and wants to play his cards right. Excerpts...
From commercials to TV to movies, how has the journey been?
It's been a roller-coaster ride. Before ads, I used to do professional dancing in live shows with people like Astad Deboo, Ganesh Hegde, Santosh Shetty among others. That's when somebody spotted me and I auditioned for my first commercial. And then, after a music video, one thing lead to another and I was offered Balaji Telefilms' Kulvadhu. That show did not take off, but I went on to do Kahiin To Hoga, Kesar, Kkoi Dill Mein Hai, Kkusum, Kkavyanjali and Kyaa Hoga Nimmo Kaa.
How did you get Meerabai Not Out?
Rangita (Pritish Nandy's daughter) saw me in Kkavyanjali, after which I did a cameo in Just Married. Then I heard the script of Meerabai… and agreed to do it. I'm doing another film, Arindam Mitra's Kiss Kiss Bang Bang. And there's also Dharmesh Darshan's Bhanvraa.
Do you like cricket?
I hardly watch it. I'm more of a soccer, basketball and hockey man. But my ignorance of cricket helped in the film, when I had to bowl to Mahesh Manjrekar. My character in the film does not follow cricket.
Your character is also someone who's lost his mother. Did you identify with it?
Completely. In real life too, with no mom at home, my father's taken care of me and been my friend. It just makes you realise how much they've done for you.
VIDEO: Mandira's noodle straps are back
Next Page: 'Mandira ragged me'
__PAGEBREAK__How was it working with Mandira Bedi? Did you talk to her about her cricket experiences?
Mandira is a senior and bullied me, ragged me. But after sometime, I gave it back (laughs). Her character in the film is so sweet – you'll fall in love with her. But she's a boisterous Sardarni in real life – exactly the opposite. Well, we used to talk cricket all the time. In fact, I've observed that anybody who meets her, starts talking about cricket!
And the recently retired cricketer Anil Kumble?
He's a towering personality. He's a cool guy with a wicked sense of humour. He was pleasant in front of the camera and not stressed at all.
What about director Chandrakant Kulkarni?
He's a stalwart of Marathi cinema. He really guided me, especially since we were using synch sound.
Are you doing any films with Ekta Kapoor?
No. We met recently. She's a friend and I never thought of making a film with her.
And no plans of returning to TV?
I'm being offered every reality show. But I cannot commit for six months or a year. Otherwise, for me, there's no difference between film and TV. Except that there's more pressure in TV.
MANDIRA: 'Yash Raj doesn't know what to do with me'
What does it take to make it big in films?
Hard work always shows. I want to be known as a decent actor and work with the right people.
How do you rate your TV colleagues like Rajeev Khandelwal, Shabbir Ahluwalia and Rohit Roy in their movies?
They're all very good. Rajeev, in fact, is my teacher. He helped me a lot in Kahiin To Hoga.
What about marriage with Anita Hassanandani?
Nobody wants to marry me (laughs). Marriage can wait. I'm not talking about it right now.
Tara Sharma: I have seven films ready for release
The actress' career is sure looking up
Actress Tara Sharma is riding high on the success of her last film, Khosla Ka Ghosla. She has seven new films up for release, the latest one being Maharathi, which is based on a play directed by Paresh Rawal. We caught up with Tara to know more about her projects. Read on...
You play a student in Maharathi. Tell us more about your role.
It's an interesting role of a nerdy, awkward architecture student. Till the end, you don't know whether she's good or bad. She's weird and quirky and an alibi to the crime that has occurred. It was a lot of fun to play it.
Are you quirky and weird in real life?
In my own way, but not like the character in the film.
Then, did you have to prepare for the role?
Not really. I normally just read the script thoroughly and leave it to the director. Actor Paresh Rawal, who had directed the play on which the film is based, was also of immense help.
Is the film a comedy or a thriller?
It's a thriller but with its comic moments.
Did you enjoy doing Maharathi after acting in a film like Khosla Ka Ghosla, which was a comedy but had its own message?
Khosla Ka Ghosla was a dark comedy. Well, the script of these two films is not similar, but something is similar between them in terms of the ensemble cast.
REVIEW: Maharathi
Which genre of filmmaking do you prefer?
__PAGEBREAK__I'm open to everything. I have done a variety of roles be it Masti, Page 3, Khosla Ka Ghosla or Maharathi among others.
What is your role in Viveck Vaswani's Dulha Mill Gaya?
I'm shooting for it right now. It's a romantic comedy and I only have a small role in it.
Do you have a scene with Shah Rukh Khan?
Yes, everyone has.
How was it working with him?
It was great working with him. I've done one of my first ads with him – the Pepsi ad.
So, he's not one of your favourite actors, is he?
He is…he's great. My other favourite actors are Aamir Khan, Amitabh Bachchan, Robert DeNiro, Al Pacino and Akshay Kumar.
You've been doing a lot of things apart from cinema…
Yes, I did a Raven for Children's BBC in Scotland, in which I played a princess. I also anchored a show on Sony where I interviewed the whole cast of Bond film Casino Royale in the US. Then, I did a short film called Britz.
What about films in India?
I have seven films ready for release, including Maharathi, The Other End of the Line, Sunoh Na, Mocktail, Ay Fansa, The Whisperers, Amaavas, Dulha Mill Gaya and Karan Johar's untitled by Rensil D'Silva. I play a call centre girl in Ashok Amritraj's The Other End…. Rensil's film is a political one opposite Vivek Oberoi – I can't reveal any more.
Whew! What kind of research do you do for your characters?
Depends on the role. For instance, in Sunoh Na, I play a pregnant girl, so I talked to pregnant women to know how they actually felt.
FIRST LOOK: Maharathi
Actress Tara Sharma is riding high on the success of her last film, Khosla Ka Ghosla. She has seven new films up for release, the latest one being Maharathi, which is based on a play directed by Paresh Rawal. We caught up with Tara to know more about her projects. Read on...
You play a student in Maharathi. Tell us more about your role.
It's an interesting role of a nerdy, awkward architecture student. Till the end, you don't know whether she's good or bad. She's weird and quirky and an alibi to the crime that has occurred. It was a lot of fun to play it.
Are you quirky and weird in real life?
In my own way, but not like the character in the film.
Then, did you have to prepare for the role?
Not really. I normally just read the script thoroughly and leave it to the director. Actor Paresh Rawal, who had directed the play on which the film is based, was also of immense help.
Is the film a comedy or a thriller?
It's a thriller but with its comic moments.
Did you enjoy doing Maharathi after acting in a film like Khosla Ka Ghosla, which was a comedy but had its own message?
Khosla Ka Ghosla was a dark comedy. Well, the script of these two films is not similar, but something is similar between them in terms of the ensemble cast.
REVIEW: Maharathi
Which genre of filmmaking do you prefer?
__PAGEBREAK__I'm open to everything. I have done a variety of roles be it Masti, Page 3, Khosla Ka Ghosla or Maharathi among others.
What is your role in Viveck Vaswani's Dulha Mill Gaya?
I'm shooting for it right now. It's a romantic comedy and I only have a small role in it.
Do you have a scene with Shah Rukh Khan?
Yes, everyone has.
How was it working with him?
It was great working with him. I've done one of my first ads with him – the Pepsi ad.
So, he's not one of your favourite actors, is he?
He is…he's great. My other favourite actors are Aamir Khan, Amitabh Bachchan, Robert DeNiro, Al Pacino and Akshay Kumar.
You've been doing a lot of things apart from cinema…
Yes, I did a Raven for Children's BBC in Scotland, in which I played a princess. I also anchored a show on Sony where I interviewed the whole cast of Bond film Casino Royale in the US. Then, I did a short film called Britz.
What about films in India?
I have seven films ready for release, including Maharathi, The Other End of the Line, Sunoh Na, Mocktail, Ay Fansa, The Whisperers, Amaavas, Dulha Mill Gaya and Karan Johar's untitled by Rensil D'Silva. I play a call centre girl in Ashok Amritraj's The Other End…. Rensil's film is a political one opposite Vivek Oberoi – I can't reveal any more.
Whew! What kind of research do you do for your characters?
Depends on the role. For instance, in Sunoh Na, I play a pregnant girl, so I talked to pregnant women to know how they actually felt.
FIRST LOOK: Maharathi
Shemaroo jumps onto World Cinema bandwagon
Subhash Ghai launched the new international DVD label
Close on the heels of UTV and NDTV Lumiere's initiatives to introduce global cinema to Indian audiences, Shemaroo Entertainment launched their World Cinema label for DVDs on December 10, 2008 in Mumbai.
Filmmaker Subhash Ghai was the chief guest and inaugurated the new arm of Shemaroo's business. His film school, Whistling Woods International, is the Knowledge Partner in this venture.
Ghai commented on the occasion, "We have been brought up on Bollywood cinema. Fortunately, I was a student of FTII and got to see many international films. But when I came to Mumbai, very few people understood world cinema. Shemaroo has given this wonderful gift to the younger generation."
He further added, "We're still traditional filmmakers. We need to go beyond Bollywood to make films for the international audience. We have a thousand stories to tell. We need to see these films (brought out by Shemaroo) and know how they make films. Then, we will understand their language. (In a film) Song and dance and baarish (rain) is not necessary, you know."
Shemaroo World Cinema aims to bring in the best of award-winning international cinema by topnotch directors, through reasonably priced DVDs (Rs 349 each) and with the option of Hindi/English subtitles.
Over 100 titles will be available off the shelf through the new DVD label, including Downfall (German/Russian), The Sea Inside (Spanish), Jean De Florette (French), Amen (English/German), L'amant/The Lover (French/English), All about MY Mother (Spanish/Catalan/English), Audition (Japanese), Rashomon (Japanese), Germinal (French) and L'Homme Du Train (French) among others.
Each DVD will have a section, Purple Patch, showcasing films made by the students of Whistling Woods International. The pupils have also provided the text for the special booklet inside the DVD for each film.
According to Hiren Gada, Director, Shemaroo Entertainment, "We will support the launch of Shemaroo World Cinema DVDs through complementary initiatives like Video On Demand, Television, and theatre screenings. We are also looking at organising events centred around a film, and forming film clubs."
Pan Nalin, the director of the highly acclaimed film Samsara and the documentary Ayurveda: Art of Being, was present on the occasion. He's currently casting for his upcoming film on the Buddha, and refused to reveal if Amitabh Bachchan or Aishwarya Rai Bachchan were part of his project.
ALSO READ: Basic Instinct, Rambo on Shemaroo DVD
Close on the heels of UTV and NDTV Lumiere's initiatives to introduce global cinema to Indian audiences, Shemaroo Entertainment launched their World Cinema label for DVDs on December 10, 2008 in Mumbai.
Filmmaker Subhash Ghai was the chief guest and inaugurated the new arm of Shemaroo's business. His film school, Whistling Woods International, is the Knowledge Partner in this venture.
Ghai commented on the occasion, "We have been brought up on Bollywood cinema. Fortunately, I was a student of FTII and got to see many international films. But when I came to Mumbai, very few people understood world cinema. Shemaroo has given this wonderful gift to the younger generation."
He further added, "We're still traditional filmmakers. We need to go beyond Bollywood to make films for the international audience. We have a thousand stories to tell. We need to see these films (brought out by Shemaroo) and know how they make films. Then, we will understand their language. (In a film) Song and dance and baarish (rain) is not necessary, you know."
Shemaroo World Cinema aims to bring in the best of award-winning international cinema by topnotch directors, through reasonably priced DVDs (Rs 349 each) and with the option of Hindi/English subtitles.
Over 100 titles will be available off the shelf through the new DVD label, including Downfall (German/Russian), The Sea Inside (Spanish), Jean De Florette (French), Amen (English/German), L'amant/The Lover (French/English), All about MY Mother (Spanish/Catalan/English), Audition (Japanese), Rashomon (Japanese), Germinal (French) and L'Homme Du Train (French) among others.
Each DVD will have a section, Purple Patch, showcasing films made by the students of Whistling Woods International. The pupils have also provided the text for the special booklet inside the DVD for each film.
According to Hiren Gada, Director, Shemaroo Entertainment, "We will support the launch of Shemaroo World Cinema DVDs through complementary initiatives like Video On Demand, Television, and theatre screenings. We are also looking at organising events centred around a film, and forming film clubs."
Pan Nalin, the director of the highly acclaimed film Samsara and the documentary Ayurveda: Art of Being, was present on the occasion. He's currently casting for his upcoming film on the Buddha, and refused to reveal if Amitabh Bachchan or Aishwarya Rai Bachchan were part of his project.
ALSO READ: Basic Instinct, Rambo on Shemaroo DVD
Aamir: Asin is the surprise package of Ghajini
The actor says the country will be floored
Aamir Khan has gone all out to promote his Ghajini look, so much so that he convinced the ushers and attendants at various multiplexes across Mumbai to literally shave their heads off to have a similar look.
On Monday morning, 105 such employees of BIG Cinemas, Wadala, Mumbai, displayed their buzz cuts to the media. Aamir Khan was there to cheer the boys, himself sporting grown hair.
But in the whole promotion process, Aamir had kept his leading lady in the film, Asin, almost in hiding until recently.
So, Asin deliberately kept away from the media or was the actor scared that the newcomer would steal the limelight?
Aamir Khan: No, in fact, Asin is the surprise package of the film. She will win the hearts of everybody. Her personality (is good). The entire country will be floored by her.
Why is Ghajini's promo being shown along with the film Rab Ne Bana Di Jodi?
Aamir Khan: It's just that Ghajini is releasing after Rab Ne….
So, whose idea was it to make the multiplex employees sport the actor's unique hairdo?
Anjali Malhotra, Manager – Brand Communications, BIG Cinemas, said, "It was Aamir's idea. He did this thing across Mumbai. He asked us, and we got 105 volunteers on December 9 to get it done. We're very happy to be associated with Aamir."
Has Aamir Khan sponsored these haircuts?
"No, he hasn't. It was our expense across all BIG Cinemas," said Malhotra.
How are the multiplex's patrons responding to the initiative?
Malhotra replied, "People are staring at them and wondering what's up. They instantly make the Ghajini connection. It's a great promotional and advertising tool. We do expect people to come out in droves."
Is it to steal the attention from Rab Ne Bana Di Jodi? People are coming in to see Rab Ne…, but it's Ghajini which is arousing curiosity, thanks to the buzz cut sported by your employees.
"No, everyone wants to watch both films. After all, it's the star who appeals to people."
Incidentally, a similar hairdo is being sported by ushers of another multiplex chain, PVR.
ALSO READ:
ASIN: I'd pick Aamir over Salman!'
No need to negotiate with terrorists: Aamir
Aamir Khan has gone all out to promote his Ghajini look, so much so that he convinced the ushers and attendants at various multiplexes across Mumbai to literally shave their heads off to have a similar look.
On Monday morning, 105 such employees of BIG Cinemas, Wadala, Mumbai, displayed their buzz cuts to the media. Aamir Khan was there to cheer the boys, himself sporting grown hair.
But in the whole promotion process, Aamir had kept his leading lady in the film, Asin, almost in hiding until recently.
So, Asin deliberately kept away from the media or was the actor scared that the newcomer would steal the limelight?
Aamir Khan: No, in fact, Asin is the surprise package of the film. She will win the hearts of everybody. Her personality (is good). The entire country will be floored by her.
Why is Ghajini's promo being shown along with the film Rab Ne Bana Di Jodi?
Aamir Khan: It's just that Ghajini is releasing after Rab Ne….
So, whose idea was it to make the multiplex employees sport the actor's unique hairdo?
Anjali Malhotra, Manager – Brand Communications, BIG Cinemas, said, "It was Aamir's idea. He did this thing across Mumbai. He asked us, and we got 105 volunteers on December 9 to get it done. We're very happy to be associated with Aamir."
Has Aamir Khan sponsored these haircuts?
"No, he hasn't. It was our expense across all BIG Cinemas," said Malhotra.
How are the multiplex's patrons responding to the initiative?
Malhotra replied, "People are staring at them and wondering what's up. They instantly make the Ghajini connection. It's a great promotional and advertising tool. We do expect people to come out in droves."
Is it to steal the attention from Rab Ne Bana Di Jodi? People are coming in to see Rab Ne…, but it's Ghajini which is arousing curiosity, thanks to the buzz cut sported by your employees.
"No, everyone wants to watch both films. After all, it's the star who appeals to people."
Incidentally, a similar hairdo is being sported by ushers of another multiplex chain, PVR.
ALSO READ:
ASIN: I'd pick Aamir over Salman!'
No need to negotiate with terrorists: Aamir
Katrina's a darling: Neil Nitin Mukesh
The Johnny Gaddaar resurfaces, this time in New York
Neil Nitin Mukesh is in the news again. The promos of New York, his flick with Yash Raj Films, are being shown in the theatres with Rab Ne Bana Di Jodi. The slick trailer has raised audience's expectations for New York, which also stars John Abraham and Katrina Kaif in the lead. We caught up with Neil to know what his mood is like ahead of his film's release…
Tell us about New York. What is your role in it?
New York is a film directed by Kabir Khan. There is speculation that it's based on 9/11, but according to me, it is more of a human drama with a strong message. It was a brilliant experience making a film which has generated such curiosity. As for my role, I'd rather you go and see the film. There are multiple layers in the character, there's growth, which is the most attractive thing.
After doing a single-hero film like Johnny Gaddaar, how did you feel sharing screen space with John Abraham in the film?
I've always maintained that I concentrate on character-based films. I don't understand the theory of multi-starrer or single-hero. For me, a character is the most important thing in a film. Johnny Gaddaar again was a film with five very important actors and their characters – Dharmendra, Daya Shetty, Zakir Hussain, Govind Namdeoji and Ashwini (Kalsekar). Similarly, Kabir Khan's New York is not a star-based film. John Abraham, Katrina Kaif or Irrfan Khan have not been cast because they're stars. We've all been cast very well, and all the characters are very well connected in the film.
Do you prefer doing these kind of offbeat roles?
It's not like I don't want to do lover boy roles. I'm a human being (who can feel love). But there is a potential in offbeat characters. There is so much play. As an actor, I would die for something like that.
Next Page: Neil on Katrina
CLICK HERE FOR MORE EXPLOSIVE NEIL INTERVIEWS
__PAGEBREAK__What is the best thing about your character in New York, and what is the worst? How did you prepare for the role?
I love Omar's character… I simply love it! Like I said, the best thing is that the character grows from the beginning of the film to the end. One man has to deal with a lot of angst and in different ways. There were a lot of preparations – but all were mental and emotional.
How was it working with Katrina Kaif?
Katrina is a darling, she's a darling to work with. I'm not lying when I say this – I had an amazing time with her. She's a livewire, a prankster. I was surprised; she's a brilliant actor.
What are your forthcoming films?
Apart from New York, which releases in March 2009, Aa Dekhen Zara with Bipasha Basu is up for release (after that). Jail with Madhur Bhandarkar is in pre-production, while Tera Kya Hoga Johnny has, in fact, already been shown at film festivals abroad. I'm also doing two untitled films, one directed by Ken Ghosh and produced by Tips, and the other produced by Eros. These could be love stories.
Are you the Johnny again in Tera Kya Hoga Johnny?
No, it's a 14-year-old called Sikandar from Jharkhand who's doing the role. Soha and I are the protagonists along with this boy. Mine is a very interesting character – an edgy guy who wants things to happen fast.
Is Neil Nitin Mukesh in on the six-pack abs craze?
I've always been lean and muscular. I don't feel the need for a six-pack. I've achieved a nice four-and-a-half to five-pack!
What's the scene with your love life?
I might be in love. But I need a response. I will talk about it when there is a commitment.
TRAILER: NEW YORK
Neil Nitin Mukesh is in the news again. The promos of New York, his flick with Yash Raj Films, are being shown in the theatres with Rab Ne Bana Di Jodi. The slick trailer has raised audience's expectations for New York, which also stars John Abraham and Katrina Kaif in the lead. We caught up with Neil to know what his mood is like ahead of his film's release…
Tell us about New York. What is your role in it?
New York is a film directed by Kabir Khan. There is speculation that it's based on 9/11, but according to me, it is more of a human drama with a strong message. It was a brilliant experience making a film which has generated such curiosity. As for my role, I'd rather you go and see the film. There are multiple layers in the character, there's growth, which is the most attractive thing.
After doing a single-hero film like Johnny Gaddaar, how did you feel sharing screen space with John Abraham in the film?
I've always maintained that I concentrate on character-based films. I don't understand the theory of multi-starrer or single-hero. For me, a character is the most important thing in a film. Johnny Gaddaar again was a film with five very important actors and their characters – Dharmendra, Daya Shetty, Zakir Hussain, Govind Namdeoji and Ashwini (Kalsekar). Similarly, Kabir Khan's New York is not a star-based film. John Abraham, Katrina Kaif or Irrfan Khan have not been cast because they're stars. We've all been cast very well, and all the characters are very well connected in the film.
Do you prefer doing these kind of offbeat roles?
It's not like I don't want to do lover boy roles. I'm a human being (who can feel love). But there is a potential in offbeat characters. There is so much play. As an actor, I would die for something like that.
Next Page: Neil on Katrina
CLICK HERE FOR MORE EXPLOSIVE NEIL INTERVIEWS
__PAGEBREAK__What is the best thing about your character in New York, and what is the worst? How did you prepare for the role?
I love Omar's character… I simply love it! Like I said, the best thing is that the character grows from the beginning of the film to the end. One man has to deal with a lot of angst and in different ways. There were a lot of preparations – but all were mental and emotional.
How was it working with Katrina Kaif?
Katrina is a darling, she's a darling to work with. I'm not lying when I say this – I had an amazing time with her. She's a livewire, a prankster. I was surprised; she's a brilliant actor.
What are your forthcoming films?
Apart from New York, which releases in March 2009, Aa Dekhen Zara with Bipasha Basu is up for release (after that). Jail with Madhur Bhandarkar is in pre-production, while Tera Kya Hoga Johnny has, in fact, already been shown at film festivals abroad. I'm also doing two untitled films, one directed by Ken Ghosh and produced by Tips, and the other produced by Eros. These could be love stories.
Are you the Johnny again in Tera Kya Hoga Johnny?
No, it's a 14-year-old called Sikandar from Jharkhand who's doing the role. Soha and I are the protagonists along with this boy. Mine is a very interesting character – an edgy guy who wants things to happen fast.
Is Neil Nitin Mukesh in on the six-pack abs craze?
I've always been lean and muscular. I don't feel the need for a six-pack. I've achieved a nice four-and-a-half to five-pack!
What's the scene with your love life?
I might be in love. But I need a response. I will talk about it when there is a commitment.
TRAILER: NEW YORK
Shweta-Bhoomika out of DQ
The pair's act had less movements and energy, say judges
Out of the four jodis in the Danger Zone on Dancing Queen this week – Anita and Sonali, Sanober and Mrigha, Shweta and Bhoomika and Bruna and Priya – the pair of Shweta and Bhoomika have been voted out.
The two performed on Madhuri Dixit's number Aaja Nachle.
According to the judges Hema Malini and Jeetendra, the performance could've had a lot more dance movements, which would've lead to more energy. The duo got the lowest marks and the public, too, voted them out.
Bhoomika broke down and said to her mother sitting in the audience, "I'm sorry, mom! I did my best but I couldn't fulfill your dreams. Thank you for helping me come here. I had not imagined I would make it here...."
Shweta Menon respected the judges' decision, but felt sad she couldn't help Bhoomika achieve what she wanted to.
SEE PICS OF THE EPISODE
Out of the four jodis in the Danger Zone on Dancing Queen this week – Anita and Sonali, Sanober and Mrigha, Shweta and Bhoomika and Bruna and Priya – the pair of Shweta and Bhoomika have been voted out.
The two performed on Madhuri Dixit's number Aaja Nachle.
According to the judges Hema Malini and Jeetendra, the performance could've had a lot more dance movements, which would've lead to more energy. The duo got the lowest marks and the public, too, voted them out.
Bhoomika broke down and said to her mother sitting in the audience, "I'm sorry, mom! I did my best but I couldn't fulfill your dreams. Thank you for helping me come here. I had not imagined I would make it here...."
Shweta Menon respected the judges' decision, but felt sad she couldn't help Bhoomika achieve what she wanted to.
SEE PICS OF THE EPISODE
REVIEW: Bad Luck Govind is a torture
Gaurav Kapur desperately tries to be Vinay Pathak in this comedy
The protagonist's bad luck seems to have carried forward to the fate of the film, it seems. Director Varun Khanna's third film – his first two being Beyond Honor (2004) and American Blend (2006) – comes across as having been made in a very confused state of mind.
From its promos and creatives, Bad Luck Govind – Mukaddar Ka Bandar seems like a good concept to make a film. But the filmmaker's vision just does not translate on to celluloid the way he wanted to. It would've made for a good book, probably. But a film cannot be told like a book. It has to be scripted with a proper beginning, middle and a convincing end.
About the film
Anyway, so Govind (Gaurav Kapur) is this stick thin, ordinary boy, working as something of a production assistant for a TV channel in Delhi. His problem in life is not that he is unlucky, but that his luck is bad for others around him. (People fall off bicycles and cows stop producing milk.)
Well, most people in today's cutthroat scenario would've been pretty happy with this, but not for our good boy Govind. The boy can't take it no more when he messes things up at the shoot of star anchor Mamta's show (Archana Puran Singh in a 'cleavage special appearance').
Govind decides to leave Delhi for Mumbai the same night. On reaching Mumbai he finds that his luggage has been stolen. He ends up at a local hospital to donate some sperm so he could earn some quick cash.
The 'heroine' enters here – Dr Anu Fernandes (Hrishitaa Bhatt), hardly looking like the female lead. Govind bumps into wannabe actor Vishal (Amit Mistry) who takes him along.
The film is all right up to this point. But soon it takes such a turn that you don't know what's happening. Vishal takes Govind to meet Kapoor (Parmeet Sethi, wasted), a local bookie under a mob guy Mahalkar (Govind Namdev). For the next 30 minutes, all you hear is the names Pandey (Lalit Mohan Tiwari), Talpade (Ganesh Yadav) and Kripalani (Zakir Hussain). But you don't know what they have to do with the life of ol' Govind.
FIRST LOOK: Bad Luck Govind
__PAGEBREAK__Later, you find out this is the protégé-turned-rival trio of Kapoor, Mahalkar and sidekick Hussain (Vrajesh Hirjee), and has been creating problems for Mahalkar's relative Arvind something who is behind bars.
So, Kapoor and Hussain use Govind to bring 'bad luck' to the other party and pay him in return. This portion of the film does provide for some laughs. Kripalani's track is also comic in the film – the hefty bloke is fed female hormone tablets and shows signs of femininity.
Predictably, Govind soon refuses to be a part of all this, thinking it is ethically wrong. But he lands up in the hospital thanks to these goons.
Dr Anu treats Govind at the hospital and teaches him the power of positive thinking through her belief in Buddhism (why she changes her faith and makes her younger brother do so is unexplained).
The romantic angle is also briefly shown here, but is totally unconvincing. In the 'dream song', Hrishita looks pregnant. Ghastly!
Well, Anu whose father is dead because of an accident by Mahalkar, tries to save Govind but to no avail. The two are hauled up in the end to bring good luck to Mahalkar at a deciding game between the two parties – a game of teen patti! The pits.
One is already hearing yawns from the patient audience who is not willing to go through this. The fight does manage to arouse some interest but the film ends abruptly with Mahalkar (phew) losing and Govind feeling vindicated. And the lines he sputters then might be what the concept note is made of, but do not make sense at all. Seems like some scenes have been edited to make the film shorter (about two hours). The makers must've guessed anything longer would be like committing suicide.
Some funny moments are there, no doubt. But the story written on paper and what the director has put on screen has nothing to do with each other. And Gaurav Kapoor could do better to stick to veejaying and anchoring, what he's best at and not try to take the Vinay Pathak route to filmdom. The other actors deliver their best and try to make the film better, but in vain. Vrajesh Hirjee is the only actor you remember after you're out of the hall. The film moves from funny to serious to funny mode several times. Tacky TV show-like sets, music and editing add to the mess.
Verdict: The film is really like what the character Vishal says at the end, "Mujhe kuch samajh mein nahin aa raha yeh kya ho rahaa hai"! (I can't figure out what's happening!)
Rating: 1/5
ALSO READ: After two films in the US, Varun enters B'wood
The protagonist's bad luck seems to have carried forward to the fate of the film, it seems. Director Varun Khanna's third film – his first two being Beyond Honor (2004) and American Blend (2006) – comes across as having been made in a very confused state of mind.
From its promos and creatives, Bad Luck Govind – Mukaddar Ka Bandar seems like a good concept to make a film. But the filmmaker's vision just does not translate on to celluloid the way he wanted to. It would've made for a good book, probably. But a film cannot be told like a book. It has to be scripted with a proper beginning, middle and a convincing end.
About the film
Anyway, so Govind (Gaurav Kapur) is this stick thin, ordinary boy, working as something of a production assistant for a TV channel in Delhi. His problem in life is not that he is unlucky, but that his luck is bad for others around him. (People fall off bicycles and cows stop producing milk.)
Well, most people in today's cutthroat scenario would've been pretty happy with this, but not for our good boy Govind. The boy can't take it no more when he messes things up at the shoot of star anchor Mamta's show (Archana Puran Singh in a 'cleavage special appearance').
Govind decides to leave Delhi for Mumbai the same night. On reaching Mumbai he finds that his luggage has been stolen. He ends up at a local hospital to donate some sperm so he could earn some quick cash.
The 'heroine' enters here – Dr Anu Fernandes (Hrishitaa Bhatt), hardly looking like the female lead. Govind bumps into wannabe actor Vishal (Amit Mistry) who takes him along.
The film is all right up to this point. But soon it takes such a turn that you don't know what's happening. Vishal takes Govind to meet Kapoor (Parmeet Sethi, wasted), a local bookie under a mob guy Mahalkar (Govind Namdev). For the next 30 minutes, all you hear is the names Pandey (Lalit Mohan Tiwari), Talpade (Ganesh Yadav) and Kripalani (Zakir Hussain). But you don't know what they have to do with the life of ol' Govind.
FIRST LOOK: Bad Luck Govind
__PAGEBREAK__Later, you find out this is the protégé-turned-rival trio of Kapoor, Mahalkar and sidekick Hussain (Vrajesh Hirjee), and has been creating problems for Mahalkar's relative Arvind something who is behind bars.
So, Kapoor and Hussain use Govind to bring 'bad luck' to the other party and pay him in return. This portion of the film does provide for some laughs. Kripalani's track is also comic in the film – the hefty bloke is fed female hormone tablets and shows signs of femininity.
Predictably, Govind soon refuses to be a part of all this, thinking it is ethically wrong. But he lands up in the hospital thanks to these goons.
Dr Anu treats Govind at the hospital and teaches him the power of positive thinking through her belief in Buddhism (why she changes her faith and makes her younger brother do so is unexplained).
The romantic angle is also briefly shown here, but is totally unconvincing. In the 'dream song', Hrishita looks pregnant. Ghastly!
Well, Anu whose father is dead because of an accident by Mahalkar, tries to save Govind but to no avail. The two are hauled up in the end to bring good luck to Mahalkar at a deciding game between the two parties – a game of teen patti! The pits.
One is already hearing yawns from the patient audience who is not willing to go through this. The fight does manage to arouse some interest but the film ends abruptly with Mahalkar (phew) losing and Govind feeling vindicated. And the lines he sputters then might be what the concept note is made of, but do not make sense at all. Seems like some scenes have been edited to make the film shorter (about two hours). The makers must've guessed anything longer would be like committing suicide.
Some funny moments are there, no doubt. But the story written on paper and what the director has put on screen has nothing to do with each other. And Gaurav Kapoor could do better to stick to veejaying and anchoring, what he's best at and not try to take the Vinay Pathak route to filmdom. The other actors deliver their best and try to make the film better, but in vain. Vrajesh Hirjee is the only actor you remember after you're out of the hall. The film moves from funny to serious to funny mode several times. Tacky TV show-like sets, music and editing add to the mess.
Verdict: The film is really like what the character Vishal says at the end, "Mujhe kuch samajh mein nahin aa raha yeh kya ho rahaa hai"! (I can't figure out what's happening!)
Rating: 1/5
ALSO READ: After two films in the US, Varun enters B'wood
FICCI-IIFA honours 11 B'wood stars
Big B, SRK, Aamir, Ash, Akki, Bebo, Hrithik, Preity, Priyanka, Shilpa and Rani won
At the 10th anniversary of the FICCI Frames 2009, and also the 10th anniversary of the IIFA Awards, several Bollywood stars were honoured with the FICCI-IIFA Awards. SEE PICS
Amitabh Bachchan, Aishwarya Rai Bachchan, Aamir Khan, Shah Rukh Khan, Akshay Kumar, Hrithik Roshan, Kareena Kapoor, Priyanka Chopra, Shilpa Shetty, Preity Zinta and Rani Mukerji were given special awards for their contribution to cinema.
Hollywood veteran Danny Glover was honoured and got a standing ovation even as Amitabh Bachchan embraced the actor warmly. Others present to receive the award were Kareena Kapoor, Priyanka Chopra, Shilpa Shetty and Preity Zinta who were seen chatting and enjoying the santoor concert of Pandit Shivkumar Sharma and Rahul Sharma.
Yash Chopra, Ramesh Sippy and Manmohan Shetty were present on the occasion, among others.
ALSO SEE: Deepika lights the FICCI lamp | Top US firms to join FICCI Frames | PICS: Shah Rukh's homecoming |
I enjoy Shahid's company: Priyanka | It is Asin, Anushka Vs Ash, Priyanka
At the 10th anniversary of the FICCI Frames 2009, and also the 10th anniversary of the IIFA Awards, several Bollywood stars were honoured with the FICCI-IIFA Awards. SEE PICS
Amitabh Bachchan, Aishwarya Rai Bachchan, Aamir Khan, Shah Rukh Khan, Akshay Kumar, Hrithik Roshan, Kareena Kapoor, Priyanka Chopra, Shilpa Shetty, Preity Zinta and Rani Mukerji were given special awards for their contribution to cinema.
Hollywood veteran Danny Glover was honoured and got a standing ovation even as Amitabh Bachchan embraced the actor warmly. Others present to receive the award were Kareena Kapoor, Priyanka Chopra, Shilpa Shetty and Preity Zinta who were seen chatting and enjoying the santoor concert of Pandit Shivkumar Sharma and Rahul Sharma.
Yash Chopra, Ramesh Sippy and Manmohan Shetty were present on the occasion, among others.
ALSO SEE: Deepika lights the FICCI lamp | Top US firms to join FICCI Frames | PICS: Shah Rukh's homecoming |
I enjoy Shahid's company: Priyanka | It is Asin, Anushka Vs Ash, Priyanka
I was the Aamir of Rang De...: Kamlesh
Says the writer of Delhi-6
What must go in the mind of the man who has written hard-hitting films like Rang De Basanti, Beta, Dil, Aks, Tezaab, Chalbaaz and Khalnayak? Curious? We decided to find out. Here's what Kamlesh Pandey, the writer of all these films and the forthcoming Delhi-6 had to say over some piping hot tea and samosas. Read on…
Where did you get the idea for a story like Delhi-6?
It was Rakeysh's idea. He's from Balli Maran in Delhi. While doing Rang De Basanti together, he used to talk about his childhood. I used to find it interesting – the people, the moods, the insanity. I thought it would be an excellent backdrop for a film.
How did you etch out the characters?
I wanted it to be like A Big Fat Greek Wedding. In Delhi-6, Roshan (Abhishek Bachchan) is an Indian boy born and brought up in the US who hates India and the so-called stupidity of Indians. But slowly, he discovers the country and then it's inescapable for him. In the process, he falls in love with Bittu (Sonam Kapoor), who is almost like 'India' for him. Also, the boy's mother is a Muslim and father a Hindu. He's surprised with the discrimination and that it doesn't take much here to incite one community against the other.
WATCH: Akki gets supernatural powers
So, you have used Sonam's character Bittu as a metaphor for India?
Yes, not an obvious one. She's middle-class, traditional but has aspirations and dreams like the country has today. And the dove Masakali is again, a metaphor for Bittu's desire to fly, to be free.
How has Sonam Kapoor fared in the film?
She's incredible. She's the next big star. She can be very disarming. I was the one to persuade Anil Kapoor to let her do the film. We were in a fix as to who will play the character, as Rakeysh felt 'Bittu is Delhi-6'. Sonam was perfect, she's like a young Waheeda Rehman.
And Abhishek Bachchan?
I've known him for long, and he's really grown as an actor and become dependable. He's the only actor today who can easily look boyish and also mature. He was supposed to make his debut in my film Samjhauta Express, before JP Dutta took him. He will have a long life as an actor.
Do you think the story of Delhi-6 is more relevant today, after the 26/11 Mumbai attacks?
Yes, it's most relevant in recent times. It exposes our gullibility and hypocrisy.
WATCH: Abhishek romances Sonam
Bollywood's most kissable lips
Next Page: Delhi-6's characters and the writer's journey
__PAGEBREAK__Where do you draw the characters from – their names, nature, background?
Rakeysh and me pooled our memories for it. I belong to a small town called Ballia in UP, which had many interesting characters. And he got characters from the area he stayed in.
Give an example of some of the characters inspired from real people.
There's a guy called Gobar, played by Atul Kulkarni, from my village – I plan to write a whole film on him someday. Then there was a jeweller who had married a girl one-third his age, and she was having an affair with a young photographer. There were also two brothers who loved to hate each other. And, there was this sweeper who was an item in the colony (laughs). Also, there was a Muslim halwai who made excellent jalebis and absolutely loved his goat.
Have you been to Delhi and do you like the city?
I love Old Delhi – it has a personality of its own. It's like a human being. If you go to someone's house, they will still order Campa-Cola, even if the brand no longer exists. That's their loyalty. They try to exaggerate everything – a nosebleed will be put across very dramatically, as if the whole nostrils opened pouring buckets full of blood! Plus, the food is amazing in that part of Delhi. In Mumbai, people only know how to make money, not food.
Do stories on cities work more than others?
I don't think about it like that – I just write a story irrespective of the location.
How has your journey been from Ballia to Bombay?
My journey could make a feature film! I was not good at anything – I had no aspirations, no dreams. I was not smart enough to be a doctor or engineer and not healthy enough to join the armed forces. And being a teacher would've been boring.
Then how did you begin writing?
Amol Palekar used to be my classmate at the JJ School of Art. He had moved on from theatre to movies and was a star. I once bumped into him in Juhu, and luckily he was looking for a writer for his film Ankaheen. I wrote for him for the kicks. Gul Anand liked my script and asked me to write Jalwa. That's how my journey began.
Sonam: 'All Indian girls are sweet in front of parents'
Next Page: Kamlesh on the art of writing
__PAGEBREAK__What is that one thing you like about writing? How do you relax when you suffer from a writer's block?
The best part about writing is – you are the first audience. I get a big kick out of it. When I'm stuck, I go for a walk or watch a film. Or I go to a bookshop and spend time there.
What do you enjoy writing the most - dialogues, script or screenplay?
I enjoy the art of storytelling. It is only in India that different people write the screenplay and dialogues because, in the earlier days many writers were from Bengal or the south. But I'm good with dialogues – as I was with Rediffusion, I'm good with one-liners.
How do you approach writing – do you write the end first like suspense novelists? And how do you merge songs?
First, I get a germ of an idea. Like last night I got a line in my mind – 'The truth is often illegitimate'. I'm now building a story around it. It will soon take a shape of a beginning, middle and end. It's a miracle how it happens, but it helps me pay my bills! When I'm writing something, I get excited like an 18-year-old. Every story is like a new toy, a new girl next door. As for the songs, I feel, a song is a scene. It should make a point and take the story forward, and not be a relief to go to the bathroom.
What works best with the audience?
I have no idea. Nobody can double guess. You have to go by your gut feeling and work with sincerity. I'm also an audience and share the same expectations and aspirations of a normal viewer.
But where does the secret of writing a good story lie?
It is not difficult to find a bridge to people – through life and the struggle. There's no formula. I may go wrong sometimes, like I did with Aks, which was a film ahead of its time. But I don't worry about failure.
Are certain actors better storytellers than the others?
I never think of actors while writing a script. It depends on who is available when. It's unrealistic and stupid to keep someone in mind while writing a script.
ALSO READ: Delhi-6 is not autobiographical: Rakeysh Mehra
Next Page: On the Rang De Basanti and Aamir Khan, and what went wrong with Yuvraaj
__PAGEBREAK__You had said in one of your interviews that the industry lacks competent writers. Why do you think so?
Most writers are copying Hollywood or making remakes of Bollywood films. Many of these so-called young, successful filmmakers are bankrupt as far as stories are concerned. They don't know what to make next! Because, stories come from the life you have lived. Struggling in a Mercedes does not help. The corporate houses, too, don't understand the other India out there.
You've written landmark films like Tezaab, Dil, Beta and many more. What went wrong with Yuvvraaj?
Tezaab was the Rang De... of the nineties. People in the north have done a PhD on it. I didn't enjoy it so much then, but now I do. Maybe I will enjoy Rang De... and Delhi-6 a decade later! As for Yuvvraaj, Subhash Ghai, who is an old friend, used me as a bouncing board. The film was a little dated. I had told him so. A Deewar wouldn't work today.
How much was your input in Rang De Basanti, which seemed like almost an original script?
In Rang De Basanti, DJ (Aamir Khan's character) was me – from my college days. I was very popular, and more for writing love letters for friends! I wrote quite well and got maybe a plate of samosas or a movie in return. So, once I left college, I was missing my popularity and wanted to go back to reclaim my glory. I had written the basic story in school, 50 years ago. When I did research on Bhagat Singh, I wondered – what if he were alive today? What would he have done? That's how the story idea came.
Did Aamir Khan take it to another level?
Yes, he did. Our earlier choice was Manoj Bajpayee. But when Aamir agreed to do the role, Manoj was considerate enough to let go of the project. We were lucky enough to get Aamir, who then got Rahman on board.
But many people say he's a perfectionist and interferes…
Why shouldn't he be? If you're not a perfectionist, you have no business being in the industry. Aamir put his heart and soul into it. He underplayed his character in the film. This is very rare – he calibrated his performance down to the other boys'. He chose to become one of them rather than stand out. I think it is very intelligent acting and it is his greatest achievement.
ALSO READ: Aamir: All my films are huge box-office successes
Next Page: On Mr India 2 and venturing in animation
__PAGEBREAK__You are also involved in an animation film called Life After Death, aren't you?
Not only that, Reliance has signed me for a three-film deal for animation scripts, and they've also bought Life After Death. The genre will become very big in the next five years.
What's coming up in the future?
I'm doing a Rs 100-crore hardcore sci-fi project with Priyadarshan, which I'd written 11 years ago. Tentatively called Sarp Kal – the Age of the Serpent, it could be India's answer to The Lord of the Rings. I have drawn from Indian mythology for it. We're looking for a director and some foreign producers might also come on board. Then, I'm doing Mr India 2 with Shekhar Kapur, Kohinoor with Ravi Chopra, and another film, which Chopra's son will be directing. Plus, I'm exploring three-four options with Rakeysh. Also, there's Consignment on human trafficking with Anil Kapoor.
How will Mr India's sequel take the story forward? Will Anil Kapoor and Sridevi have kids in it? And who will play Mogambo?
If I reveal the story, then there's no point. But we're so thrilled – it's fun. We're looking for a director. We don't know who can match Amrish Puri's role, but we know that the villain in the sequel will be the biggest in Indian cinema.
Shah Rukh Khan had said in an interview on CNN-IBN that one should detach oneself from a film after it's over. Do you follow that as a writer?
As a writer, characters are not in your control – they take a life of their own, take the story forward. They become real, bigger than what you've written. Don't stop them. The story begins with you, and becomes theirs. So, I detach myself right from the beginning.
Have you thought of taking up direction?
I have resisted the temptation. I don't have the aptitude to be a director, where sometimes you have to abuse people to get things done. I'm a greedy boy in a toyshop when it comes to writing, and it's difficult to get me out of there! I get one good story idea a day, and have 50 written stories in the bank. I'm never going to be finished with writing.
ALSO READ: What's got B'wood all 'animated' | SRK to play Mogambo in Mr India sequel?
What must go in the mind of the man who has written hard-hitting films like Rang De Basanti, Beta, Dil, Aks, Tezaab, Chalbaaz and Khalnayak? Curious? We decided to find out. Here's what Kamlesh Pandey, the writer of all these films and the forthcoming Delhi-6 had to say over some piping hot tea and samosas. Read on…
Where did you get the idea for a story like Delhi-6?
It was Rakeysh's idea. He's from Balli Maran in Delhi. While doing Rang De Basanti together, he used to talk about his childhood. I used to find it interesting – the people, the moods, the insanity. I thought it would be an excellent backdrop for a film.
How did you etch out the characters?
I wanted it to be like A Big Fat Greek Wedding. In Delhi-6, Roshan (Abhishek Bachchan) is an Indian boy born and brought up in the US who hates India and the so-called stupidity of Indians. But slowly, he discovers the country and then it's inescapable for him. In the process, he falls in love with Bittu (Sonam Kapoor), who is almost like 'India' for him. Also, the boy's mother is a Muslim and father a Hindu. He's surprised with the discrimination and that it doesn't take much here to incite one community against the other.
WATCH: Akki gets supernatural powers
So, you have used Sonam's character Bittu as a metaphor for India?
Yes, not an obvious one. She's middle-class, traditional but has aspirations and dreams like the country has today. And the dove Masakali is again, a metaphor for Bittu's desire to fly, to be free.
How has Sonam Kapoor fared in the film?
She's incredible. She's the next big star. She can be very disarming. I was the one to persuade Anil Kapoor to let her do the film. We were in a fix as to who will play the character, as Rakeysh felt 'Bittu is Delhi-6'. Sonam was perfect, she's like a young Waheeda Rehman.
And Abhishek Bachchan?
I've known him for long, and he's really grown as an actor and become dependable. He's the only actor today who can easily look boyish and also mature. He was supposed to make his debut in my film Samjhauta Express, before JP Dutta took him. He will have a long life as an actor.
Do you think the story of Delhi-6 is more relevant today, after the 26/11 Mumbai attacks?
Yes, it's most relevant in recent times. It exposes our gullibility and hypocrisy.
WATCH: Abhishek romances Sonam
Bollywood's most kissable lips
Next Page: Delhi-6's characters and the writer's journey
__PAGEBREAK__Where do you draw the characters from – their names, nature, background?
Rakeysh and me pooled our memories for it. I belong to a small town called Ballia in UP, which had many interesting characters. And he got characters from the area he stayed in.
Give an example of some of the characters inspired from real people.
There's a guy called Gobar, played by Atul Kulkarni, from my village – I plan to write a whole film on him someday. Then there was a jeweller who had married a girl one-third his age, and she was having an affair with a young photographer. There were also two brothers who loved to hate each other. And, there was this sweeper who was an item in the colony (laughs). Also, there was a Muslim halwai who made excellent jalebis and absolutely loved his goat.
Have you been to Delhi and do you like the city?
I love Old Delhi – it has a personality of its own. It's like a human being. If you go to someone's house, they will still order Campa-Cola, even if the brand no longer exists. That's their loyalty. They try to exaggerate everything – a nosebleed will be put across very dramatically, as if the whole nostrils opened pouring buckets full of blood! Plus, the food is amazing in that part of Delhi. In Mumbai, people only know how to make money, not food.
Do stories on cities work more than others?
I don't think about it like that – I just write a story irrespective of the location.
How has your journey been from Ballia to Bombay?
My journey could make a feature film! I was not good at anything – I had no aspirations, no dreams. I was not smart enough to be a doctor or engineer and not healthy enough to join the armed forces. And being a teacher would've been boring.
Then how did you begin writing?
Amol Palekar used to be my classmate at the JJ School of Art. He had moved on from theatre to movies and was a star. I once bumped into him in Juhu, and luckily he was looking for a writer for his film Ankaheen. I wrote for him for the kicks. Gul Anand liked my script and asked me to write Jalwa. That's how my journey began.
Sonam: 'All Indian girls are sweet in front of parents'
Next Page: Kamlesh on the art of writing
__PAGEBREAK__What is that one thing you like about writing? How do you relax when you suffer from a writer's block?
The best part about writing is – you are the first audience. I get a big kick out of it. When I'm stuck, I go for a walk or watch a film. Or I go to a bookshop and spend time there.
What do you enjoy writing the most - dialogues, script or screenplay?
I enjoy the art of storytelling. It is only in India that different people write the screenplay and dialogues because, in the earlier days many writers were from Bengal or the south. But I'm good with dialogues – as I was with Rediffusion, I'm good with one-liners.
How do you approach writing – do you write the end first like suspense novelists? And how do you merge songs?
First, I get a germ of an idea. Like last night I got a line in my mind – 'The truth is often illegitimate'. I'm now building a story around it. It will soon take a shape of a beginning, middle and end. It's a miracle how it happens, but it helps me pay my bills! When I'm writing something, I get excited like an 18-year-old. Every story is like a new toy, a new girl next door. As for the songs, I feel, a song is a scene. It should make a point and take the story forward, and not be a relief to go to the bathroom.
What works best with the audience?
I have no idea. Nobody can double guess. You have to go by your gut feeling and work with sincerity. I'm also an audience and share the same expectations and aspirations of a normal viewer.
But where does the secret of writing a good story lie?
It is not difficult to find a bridge to people – through life and the struggle. There's no formula. I may go wrong sometimes, like I did with Aks, which was a film ahead of its time. But I don't worry about failure.
Are certain actors better storytellers than the others?
I never think of actors while writing a script. It depends on who is available when. It's unrealistic and stupid to keep someone in mind while writing a script.
ALSO READ: Delhi-6 is not autobiographical: Rakeysh Mehra
Next Page: On the Rang De Basanti and Aamir Khan, and what went wrong with Yuvraaj
__PAGEBREAK__You had said in one of your interviews that the industry lacks competent writers. Why do you think so?
Most writers are copying Hollywood or making remakes of Bollywood films. Many of these so-called young, successful filmmakers are bankrupt as far as stories are concerned. They don't know what to make next! Because, stories come from the life you have lived. Struggling in a Mercedes does not help. The corporate houses, too, don't understand the other India out there.
You've written landmark films like Tezaab, Dil, Beta and many more. What went wrong with Yuvvraaj?
Tezaab was the Rang De... of the nineties. People in the north have done a PhD on it. I didn't enjoy it so much then, but now I do. Maybe I will enjoy Rang De... and Delhi-6 a decade later! As for Yuvvraaj, Subhash Ghai, who is an old friend, used me as a bouncing board. The film was a little dated. I had told him so. A Deewar wouldn't work today.
How much was your input in Rang De Basanti, which seemed like almost an original script?
In Rang De Basanti, DJ (Aamir Khan's character) was me – from my college days. I was very popular, and more for writing love letters for friends! I wrote quite well and got maybe a plate of samosas or a movie in return. So, once I left college, I was missing my popularity and wanted to go back to reclaim my glory. I had written the basic story in school, 50 years ago. When I did research on Bhagat Singh, I wondered – what if he were alive today? What would he have done? That's how the story idea came.
Did Aamir Khan take it to another level?
Yes, he did. Our earlier choice was Manoj Bajpayee. But when Aamir agreed to do the role, Manoj was considerate enough to let go of the project. We were lucky enough to get Aamir, who then got Rahman on board.
But many people say he's a perfectionist and interferes…
Why shouldn't he be? If you're not a perfectionist, you have no business being in the industry. Aamir put his heart and soul into it. He underplayed his character in the film. This is very rare – he calibrated his performance down to the other boys'. He chose to become one of them rather than stand out. I think it is very intelligent acting and it is his greatest achievement.
ALSO READ: Aamir: All my films are huge box-office successes
Next Page: On Mr India 2 and venturing in animation
__PAGEBREAK__You are also involved in an animation film called Life After Death, aren't you?
Not only that, Reliance has signed me for a three-film deal for animation scripts, and they've also bought Life After Death. The genre will become very big in the next five years.
What's coming up in the future?
I'm doing a Rs 100-crore hardcore sci-fi project with Priyadarshan, which I'd written 11 years ago. Tentatively called Sarp Kal – the Age of the Serpent, it could be India's answer to The Lord of the Rings. I have drawn from Indian mythology for it. We're looking for a director and some foreign producers might also come on board. Then, I'm doing Mr India 2 with Shekhar Kapur, Kohinoor with Ravi Chopra, and another film, which Chopra's son will be directing. Plus, I'm exploring three-four options with Rakeysh. Also, there's Consignment on human trafficking with Anil Kapoor.
How will Mr India's sequel take the story forward? Will Anil Kapoor and Sridevi have kids in it? And who will play Mogambo?
If I reveal the story, then there's no point. But we're so thrilled – it's fun. We're looking for a director. We don't know who can match Amrish Puri's role, but we know that the villain in the sequel will be the biggest in Indian cinema.
Shah Rukh Khan had said in an interview on CNN-IBN that one should detach oneself from a film after it's over. Do you follow that as a writer?
As a writer, characters are not in your control – they take a life of their own, take the story forward. They become real, bigger than what you've written. Don't stop them. The story begins with you, and becomes theirs. So, I detach myself right from the beginning.
Have you thought of taking up direction?
I have resisted the temptation. I don't have the aptitude to be a director, where sometimes you have to abuse people to get things done. I'm a greedy boy in a toyshop when it comes to writing, and it's difficult to get me out of there! I get one good story idea a day, and have 50 written stories in the bank. I'm never going to be finished with writing.
ALSO READ: What's got B'wood all 'animated' | SRK to play Mogambo in Mr India sequel?
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